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Alfred Hitchcock | Clothes on Film

  • Author Caroline Young has just released a fascinating new book entitled Hitchcock’s Heroines (published by Insight Editions). It celebrates and studies the women in Hitchcock movies; their influence, semblance and iconography. What’s more, Young also examines the role costume design plays with these women, both the characters and the actresses who played them, and how they can be interpreted as far more than just ‘icy blondes’. Here we have an extract of the book exclusively for Clothes on Film: Kim Novak’s grey suit the colour of San Francisco fog in Vertigo, Grace Kelly as the too-perfect woman in Rear Window, and Janet Leigh’s black and white sets of underwear to…

  • Why does Tippi Hedren wear a green suit in The Birds, and what does it mean?

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  • Edith Head’s costume design for Vertigo demonstrates the power of clothes in forming identities on-screen.

  • Hollywood costume comes to London’s Victoria & Albert Museum in the most exciting exhibition of its type ever announced.

  • This coral pink ensemble encompasses and challenges the absolute femininity of Grace Kelly.

  • This is the most fun and elaborate outfit Grace Kelly wears in To Catch a Thief.

  • To be a saboteur you must surely dress like one.

  • We asked Colleen Atwood a few questions about The Tourist’s lavish costume look.

  • Christie’s are auctioning several Edith Head sketches for costume designs worn by Grace Kelly.

  • While still alluring, as practically anything is on Grace Kelly, this is perhaps her least successful outfit overall from Rear Window (1954, as Lisa Fremont). The jacket seems slightly too long and loose for the slenderness of the skirt; it doesn’t fit Kelly’s figure as comfortably as it might. However even with its faults the suit still reflects a vital side of Lisa’s complex personality: her professional, tailored femininity.