1800s | Clothes on Film

Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the…

MINOR SPOILERS At a pivotal juncture during the Fathers & Sons episode of Godless (2017), the camera tracks into a pink ribbon tied on the back of young woman’s hair; a woman who is suffering from the onset symptoms of smallpox and unlikely to find recovery. Later in the episode we pan across dozens of freshly dug but unnamed graves each with it’s own crucifix. We don’t see the woman again, but on one of the crucifixes is tied a pink ribbon. Such is the power of even the slightest costume and accessory details in Godless, the narrative is informed by their very presence. Costume designer for Godless was Betsy…

The first full-length trailer for Disney’s new live-action adaptation of Cinderella was this week and featured tantalising glimpses of what promises to be a visually gorgeous film. The costumes, designed by three time Academy Award winner Sandy Powell, appear to be absolutely stunning. With a clever mix of the eighteenth century, the 1830s, and a little 1950s couture thrown in for good measure (Powell has been quoted as saying she was aiming for the look of “a nineteenth-century period film made in the 1940s or ’50s”), Powell has created another jewel to add to her already over-bling crown. Here is a quick rundown of some of the looks we’ve been…

NO SPOILERS Real and mythological, figurative and literal; monsters of all kinds abound in Sky Atlantic’s new period horror series Penny Dreadful. We might expect a skulking figure in a top hat and frock coat to be scary, though who would have thought a bustle and redingote could be so terrifying? Well, step forward Eva Green as enigmatic Vanessa Ives. Not hero nor villain, but a dead eyed clairvoyant who definitely shouldn’t be invited to dinner parties. Penny Dreadful is set in 1891, although is more a literary parallel universe than true reflection of the era. Some of the characters featured are written for the show (Vanessa), some existed in…

There is not man behind the mask; the mask is The Lone Ranger.

Fabrics jump out of the screen in this trailer for 12 Years a Slave.

The biggest compliment that can be paid to Joanna Johnston’s costumes in Lincoln is that you will hardly notice them.

Django Unchained costume designer Sharen Davis exclusively explains her work on the film.

Costume designer Sharen Davis finds a good fit with Tarantino; their Deep South bounty hunter Django is a visibly memorable protagonist crying out for a sequel.

Les Misérables is drenched in costume symbolism, specifically revolutionary red, white and blue. Subtle was never its intention.

The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.

Could Django Unchained be the first Quentin Tarantino movie to win a Costume Design Oscar?