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Daisy Ridley | Clothes on Film

  • MINOR SPOILERS There are already lots of good interviews with Star Wars: The Last Jedi (2017) costume designer Michael Kaplan on the internet (we recommend this one in particular), so for Clothes on Film we kept it brief and fresh. We caught up with Kaplan, who is also responsible for Star Wars: The Force Awakens (2015), Star Trek (2009), Fight Club (1999) and Blade Runner (1982), for a little chat about what’s new for episode 8 of the ever evolving space saga. Clothes on Film: Let’s kick off by asking you about the best new costume in the film, the Elite Praetorian Guard… Michael Kaplan: They are my favourite costumes…

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  • Clothes on Film were fortunate enough to be invited to a display of costumes from the latest adaptation of Murder on the Orient Express (2017), plus interview its costume designer Alexandra Byrne. An Oscar winner for Elizabeth: The Golden Age (2008), and well known for her period design work, since 2011 Byrne has become connected to the world of Marvel, her most recent project being Doctor Strange in 2016. Here she chats candidly about recreating the (mainly) glamorous side of the early 1930s and the challenges that faced her and her team. Alexandra Byrne on shooting in 70 mm: “Director Ken (Branagh) and I did Hamlet (1996) together which was…

  • Surely we all know Michael Kaplan by now? Flashdance (1983), Fight Club (1999), Burlesque (2010), Star Trek (2009), and the biggest of the big, Star Wars: The Force Awakens. Versatile is not a generous enough word for his talent; he is literally one of the best in the business, as his CDG (Costume Designers Guild) nomination for Star Wars goes some way to proving. I spoke to Mr Kaplan just after Christmas about his work for The Force Awakens, but due to unforeseen circumstances (basically Clothes on Film HQ flooding), this interview is only being posted now. Still much to enjoy though, and plenty of costume titbits to sift through.…

  • SPOILERS Ahead of a detailed interview with Star Wars: The Force Awakens costume designer Michael Kaplan (currently hard at work on Episode VIII), we take a brief look at his undeniable achievement in bringing the 1970s – early 80’s back to life right here in the present. How do you make the now look old when paradoxically it is supposed to be the new? Well, you go simple. We say simple, but we mean ‘back to basics’. This is not the prequels; The Force Awakens takes place thirty years after the Rebellion defeated the Empire. Now both sides are in state of rebuilding so there is little call for Padmae’s…

  • There is little point in Clothes on Film delving too deeply into the first trailer for director J.J. Abrams’ Star Wars sequel The Force Awakens, mainly because it is just so much speculation at the moment, which of course is part of the fun, but also because there are far smarter (or more interested) minds on the Internet who will do a better job. That said how can you watch that trailer and not have an opinion? So here are ours, and with no contribution whatsoever from Star Wars VII costume designer Michael Kaplan. If he told us anything at this stage he would be thrown in the Sarlacc pit…

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