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    Agnès b | Clothes on Film

    Second and final part of our retrospective of The Grifters with insight from Mark Bridges. First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges. Betsy Heimann chats exclusively about one of the most iconic costumes of the 1990s.

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    Flashdance: Jennifer Beals’ Dance & Casual Wear | Clothes on Film

    Though really nothing more than an extended, backlit music promo, Flashdance (1983, directed by Adrian Lyne) has garnered a considerable cult following in recent years. Savaged by poor reviews on its release, the film is now embraced as a musical and stylistic record of the second most hedonistic decade in western history. In this respect it is actually a stronger movie than, say, Wall Street (1986), and Flashdance even has a biracial woman as its star; unusual at the time, we should perhaps be grateful producers Don Simpson and Jerry Bruckheimer didn’t opt for Goldie Hawn instead. The clothing in Flashdance can be separated into two categories: dance wear and…

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    Dr Who | Clothes on Film

    Doctor Who, the quirky British sci-fi television series about a time travelling alien and his friends, premiered in 1963. Since then there have been twelve Doctors (and a War Doctor), each with their own unique looks to match their unique and often eccentric personalities. With the debut of the Twelfth Doctor fast approaching, this post takes a look back at the three Doctors we’ve seen so far (not including the War Doctor) on Doctor Who since it was rebooted in 2005 (or New Who, as some like to call it) and guesses at what we can expect from Doctor number twelve. The Ninth Doctor (Christopher Eccleston) arrived on our screens……

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    Mackintosh | Clothes on Film

    Two-part BBC drama The 7.39 could have been your average ‘man meets woman and has an affair’ tale. However, the overall verdict has been one of admiration at not only the amazing acting from its star players but also the script, which took the audience on an emotional rollercoaster throughout its glorious two hours. But again, often overlooked is the costume, in this case contemporary. The story of the female lead, Sally Thorn, played by Sheridan Smith with a wonderful naturalness, is particularly clearly told through what she wears (costume design by Lucinda Wright). Carl Matthews (believably played by David Morrissey) is stuck in a rut. Tired of his job,……

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    Brighton Rock and Mod: Trailer Hits | Clothes on Film

    A trailer for Brighton Rock has arrived online. Remake, reimagining – whatever you choose to call it, director Rowan Joffe’s new vision sees the 1938 crime novel by Graham Greene updated to the 1960s. This means Mods, Rockers, skinny suits and selvedge turn-ups. Thankfully this two minute preview does not run away with the notion. The Brighton Rock we all know and love was made in 1947, directed by John Boulting and starred Richard Attenborough as vicious local hood Pinkie Brown. Now we have Rowan Joffe (writer of The American) and Sam Riley (Franklyn, Control) in their place. Graham Greene’s book is a grim morality tale set against the backdrop…

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    red | Clothes on Film

    The importance of costume colour for the colourblind casting of The Personal History of David Copperfield. Amongst staggering aural and visual assault, perhaps one of the quietest aspects of Dunkirk (2017, directed by Christopher Nolan) are its costumes – and this is to its credit. Dunkirk is the type of film that requires you to engage quickly with everything you see on screen. Jeffrey Kurland’s costume design is masterful in this regard. A sea of subtly differentiated green and brown with the pop of naval uniforms and briefly glimpsed civilian wear. This is 1940 at its most spare and rudimentary. Here, Jeffrey Kurland chats exclusively to Clothes on Film about…

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    Swing Time: Ginger Rogers’ Day Dress from 'Pick Yourself Up' Waltz | Clothes on Film

    Swing Time (1936) is full of lovely outfits, and all very luxurious thirties to lure cinemagoers out of their economic depression. Fred is near permanently attired in full evening suit – bar an immaculate fur collared overcoat and silk scarf for the snow sequence, while Ginger dons costume designer Bernard Newman’s flowing gowns for dancing and Chanel style suits and fox fur for day wear. Among all this luxury is a plain, yet deliciously feminine black dress worn for the ‘Pick Yourself Up’ waltz. This is a classic example of 1930s praise for a curvy female form. Post Hays code, dresses displayed less flesh but were pulled in tighter for…

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    Richard Hornung | Clothes on Film

    Second and final part of our retrospective of The Grifters with insight from Mark Bridges. Lord Christopher Laverty Comments Off on The Grifters: Be Careful What You Wear – Part 2 2 Oct ’18 6 Sep ’10 15 Apr ’13 First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges. Lord Christopher Laverty 1 Comment 7 Feb ’14 6 Sep ’10 6 Feb ’17

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    Thierry Mugler | Clothes on Film

    Second and final part of our retrospective of The Grifters with insight from Mark Bridges. Lord Christopher Laverty Comments Off on The Grifters: Be Careful What You Wear – Part 2 8 Jul ’10 7 Jun ’10 20 Mar ’12 First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges. Lord Christopher Laverty 1 Comment 25 Sep ’18 2 Apr ’12 20 Mar ’12