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    Grace Kelly Exhibition Opens at the V&A | Clothes on Film

    The Victoria and Albert Museum, London is hosting an exhibition of dresses and accessories once belonging to Grace Kelly. You have from now until 26th September to get there and gaze. There are a multitude of Kelly’s finest and most memorable outfits on display. Some will look less than pristine as Princess Grace of Monaco was not averse to wearing garments and handbags until long past their best. A classier contrast to modern celebrities who sport an item once before consigning it to the bin marked ‘Seen’ and splashing out on another. Author and all round society man Ian Fleming was the same in this respect. He apparently used to…

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    Award Winners 2013: Anna Karenina Takes All | Clothes on Film

    Now the main award ceremonies are done and dusted there is just room for a summary of the Best (or ‘Achievement In’) Costume Design award winners before we gratefully shut up about it all for another year. There were no surprises at all. Not really. See for yourself, but if you did not call Jacqueline Durran for Anna Karenina every single time you were just throwing money down the drain. The 15th Annual Costume Designers Guild Awards: Excellence in Contemporary Film Skyfall – Jany Temime Excellence in Period Film Anna Karenina – Jacqueline Durran Excellence in Fantasy Film Mirror Mirror – Eiko Ishioka Outstanding Contemporary Television Series Smash – Molly…

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    sponsored post | Clothes on Film

    It’s the most celebrated, the most special, the most significant watch of all time; Rolex is symbolic of many things in the movies: style, wealth, attitude, and perhaps most importantly, taste. That is not to say a Rolex is elitist, but rather that the wearer on screen, anyone from James Bond to Steve McQueen, is someone possessed of the knowledge that there is no better. Rolex is the pinnacle. The history of Rolex on film is not nearly as interesting as the scope of its wearers and how this simple act of either subtle or ostentatious display can define character. Take James Bond, a man whose breeding was forced upon……

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    CDG | Clothes on Film

    Happy New Ye- oh we’ve done that already. Carry on. ‘How Hollywood is ruining a Billion Dollar Industry’ Amber Jane Butchart found this amazing article from 1938 and it is essential, and occasionally shocking, reading. Inside Llewyn Davis Video: Legendary costume designer Mary Zophres shares a few words about ‘uptown and downtown’ style. Ane Crabtree Contributor Kristin Koga talks to the costume designer about her career so far and their shared ethnicity. Cannot recommend this interview enough. Giorgio Armani GA chats to ES about his famous movie suits. Funnily enough he neglects to mention that Marilyn Vance-Straker had to re-tailor all his costumes for The Untouchables because they didn’t fit……

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    Judianna Makovsky | Clothes on Film

    SPOILERS For anyone with an eye to costume, The Avengers: Infinity War (2018) seemingly takes few evolutionary leaps. This makes perfect sense when we consider the timeline following particularly significant events of Captain America: Civil War (2016) and Black Panther (2017). Infinity War costume designer Judianna Makovsky (previously on board for The Winter Soldier, 2014; Civil War and Guardians of the Galaxy Vol.2, 2016) has crafted a combination of instantly familiar looks for a jam-packed canon of characters where nobody wants to be missed, but nobody should stick out above anyone else either. It’s a real balancing act, which is something we are should sure Thanos himself would appreciate. Judianna……

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    Costume Design Award Winners Round Up: Oscar, BAFTA & CDG | Clothes on Film

    The votes have been counted, prizes dished out and winners’ speeches read. Now the Big Three honours have all been awarded it is time to list the lucky recipients and give them the hearty round of applause they deserve. First to be announced on 12th February was the BAFTA (British Academy of Film & Television Arts) award for Best Costume Design, which the BBC typically and shamefully edited from their main broadcast, sandwiching it with Cinematography, Editing and other worthy categories ninety seconds before the end credits. Nominees and winner below: The Artist – Mark Bridges WINNER Hugo – Sandy Powell Jane Eyre – Michael O’Connor My Week with Marilyn…

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    An American Werewolf in London | Clothes on Film

    An American Werewolf in London A screening at the Billy Wilder theater in Los Angeles on the 26th, with Deborah Nadoolman Landis in attendance to sign copies of her book ‘Hollywood Costume’ (we’re in that!). Shawna Trpcic It’s question time with Shawna Trpcic. What a fun idea! Halloween FrockTalk’s guide to looking suitably fab and/or disgusting. Thor: The Dark World Costume designer Wendy Partridge (another new set of hands for Thor) chats briefly about her work on the upcoming film. Rush Inspired by her friend Ellen Crawshaw working as a costume assistant on Rush, fashion historian and all round sartorial resource Amber Butchart analyses cars and Formula 1 style in…

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    Brave | Clothes on Film

    A few of this week’s interesting costume links. To celebrate the release of Oz the Great and Powerful, here is a round up of the best fantasy costume posts at Clothes on Film. Does costume design exist in animated film? Simulation supervisor for Brave, Claudia Chung, discusses its creation, processes and role in the finished movie. Disney has just released a new international trailer for Brave. Delightful, it is.

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    The Hunger Games | Clothes on Film

    This week you may have missed… Ingenious Costume Design Good list from Rebecca Clough at Den of Geek of ingenious movie costume design. And while we’re about it, congratulations to another of their regular writers, Ryan Lambie, for his FDA Richard Attenborough Blogger of the Year Award. Inside Llewyn Davis Kristin M. Burke has a chat with the Coen brothers’ regular costume designer Mary Zophres. The Hunger Games: Mockingjay Part 1 Trish Summerville out, Kurt & Bart in for the third Hunger Games movie. Odd after Summerville being such a successful choice, but we get the feeling this is most intentional. Cash hungry producers have realised Katniss’ costume designers are……

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    1800s | Clothes on Film

    Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the……