Clothes from now | Clothes on Film

Clothes from films set 2000-now

A new trailer for Christopher Nolan’s Tenet has dropped and it’s undoubtedly going to be the best film EVER.
Contributor Birdie McAra explores the fantabulously non-male gazey world of Birds of Prey.
Join Clothes on Film editor Christopher Laverty for a special Oscars Red Carpet Livestream. You better believe he’s wearing a custom made crown.
We chat about why James Bond wearing a Tom Ford suit is almost a waste of time for the From Tailors with Love podcast.
The final trailer for The Rhythm Section features more costume changes than a Lady Gaga concert.
The leggy lure of Bombshell.
The latest MCU smash-hit, Spider-Man: Far From Home (2019), features one of the strangest villains in the wallcrawler’s rogues’ gallery. When it comes to movies based on comic books, the outfit a character like Mysterio wears is not supposed to work on-screen. On the printed pages of comics, the outfits can be impractical and outlandish, and nothing is more of those things than the villain’s fishbowl helmet, lavender cape fastened with giant eyes, and green, scaly tights. Still, costume designer for the film, Anna B. Sheppard, met the challenge of making a fantastic look for Jake Gyllenhaal’s villain. Instead of running away from the crazy roots of the character, she…
SPOILERS THROUGHOUT Clearly Us (2019) director Jordan Peele is as interested in the craft of costume as a tool for storytelling as any means available to him (props, sets, score, bunnies). Peele’s costume designer for his film, Kym Barrett, is highly proficient, a veteran, with such memorable titles as Romeo and Juliet (1996), The Matrix (1999) and The Nice Guys (2016) under her belt. Her contribution is specific and considered – the ‘cut like’ jagged edges in Lupita Nyong’o’s blood soaked attire as Adelaide testament to Barrett’s knowledge of the subtle communication costume can achieve. It is, then, somewhat of a shame that Peele insists on everything in his story…
MINOR SPOILERS For all the inevitable chrysalis transformation of singer Ally (Lady Gaga) during A Star is Born (2018, directed by Bradley Cooper), the most subtle, yet real sartorial reflection of character belongs to her mentor and lover Jack (Cooper). Costumed by Erin Benach (Drive, A Place Beyond the Pines), Jack is the epitome of the casual rock star. Stage wear, day wear, evening wear, drinking wear, sleeping wear – it’s all the same. His simple clothes mask a mind so damaged it can only be subdued with the bottle. Jack lives in t-shirts (plain, dark or neutral colours), untucked shirts (dark or a green graph-check), brown calf leather jacket,…
MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge suit, women’s clothing has a lot more avenues and possibilities. In addition to colour and pattern there is shape and form, which can vary dramatically for the fashionable wearer. What can vary dramatically can also date dramatically and this can be major stumbling block for costume designers. Films centred around the world of fashion, or those that include a lot of fashionable garments such as The Devil Wears Prada (2006), Clueless (1995) and Funny Face…
SPOILERS For anyone with an eye to costume, The Avengers: Infinity War (2018) seemingly takes few evolutionary leaps. This makes perfect sense when we consider the timeline following particularly significant events of Captain America: Civil War (2016) and Black Panther (2017). Infinity War costume designer Judianna Makovsky (previously on board for The Winter Soldier, 2014; Civil War and Guardians of the Galaxy Vol.2, 2016) has crafted a combination of instantly familiar looks for a jam-packed canon of characters where nobody wants to be missed, but nobody should stick out above anyone else either. It’s a real balancing act, which is something we are should sure Thanos himself would appreciate. Judianna…
Brigsby Bear tells the bizarre yet charming tale of a young man, James Pope (Kyle Mooney), who was kidnapped as a baby and subsequently released into the world many years later with no knowledge of it beyond a non-existent kids television show. The film evokes a nostalgic view of the 1980s and, while is contemporary set, gently embraces that period in terms of its aesthetic. Costume designer for Brigsby Bear, Sarah Mae Burton, experienced in both television and film, has created a familiar yet distinctive vibe that feels entirely believable. Here she talks exclusively to Clothes on Film about her process: Clothes on Film: James Pope’s world for twenty five…