Clothes on Film | Screen style & identity – Part 41

Neatly illustrating the previous post with Kirsten Dunst donning Chanel inspired sailor pants as part of her 1920s pyjama beachwear in The Cats Meow is elegant French actress Audrey Tautou wearing the real deal.
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Beach pyjamas, or sailor pants, of the 1920s owe their popularity to Coco Chanel and her appropriation of the wide-legged trousers as a functional addition to the female wardrobe. Chanel hit upon the idea of pants for women while visiting Venice during the early part of the decade; she felt they were the only practical way to properly climb in and out of a Gondola.
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Based on the real life theft of £12,000 of gold bullion from a moving railway train in 1855 (though in the movie the amount had swelled to £25,000), The First Great Train Robbery (1979) features a hefty slew of period costumes for its modest $6,000,000 budget. It is also Michael Crichton’s best film as a director, adapted from his own novel published in 1975.
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Grace Kelly (as Lisa Fremont) wears five separate outfits in Rear Window (1954) including one negligee. Three of these are exceptional standouts, each neatly representing a different sector of 1950s women’s fashion: dress, casual and tailored.
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