Uncategorized

Girls in Films | Clothes on Film

Posted by Chris Laverty on October 6, 2009

Director Peter Jackson’s big budget King Kong (2005) remake is set, like the original, in 1933 (when filmed). This is slap bang in the middle of America’s Great depression, tasking costume designer Terry Ryan with creating looks that replicate the obvious poverty of the time and the go-for-broke attitude adopted by many for glamorous night time events and parties.

Ryan costumed King Kong heroine Ann Darrow (Naomi Watts) in two distinct categories: New York attire and film within a film outfits, i.e. those worn on board the ship to Skull Island and while on the island itself.
More…

Posted by Chris Laverty on September 28, 2009

Oscar nominated costume designer Anna B. Sheppard grants Clothes on Film exclusive insight into the unique period look of Inglourious Basterds (2009).

inglourious-basterds_mc3a9lanie-laurent_red-dress-with-gun-bmp-500x211-6956159

It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993.
More…

Posted by Sarah H on September 22, 2009

What young girl doesn’t want to be in the ‘Pink Ladies’ after seeing Grease (1978)?

They are synonymous by their satin-lined powder pink baseball-style jacket, ‘Pink Ladies’ embroidered in black scrawl on the reverse, their name on the front, worn mostly with the collar up for that rebellious touch. Celebrating impurity, they are one of the most popular and imitated girl gangs on screen. Being ‘pink’ is a sarcastic and perhaps sexual allusion.
More…

Posted by Chris Laverty on September 15, 2009

Ghostbusters (1987) is perhaps best known as the first ever big budget FX comedy and not for making any serious style statements. Yet tucked amongst the fluffy hair and khaki jump-suits sported by the Ghostbusters themselves is a classic example of mid-1980s opulence – Sigourney Weaver’s oversized cape coat:

Full-length cape coat in blue wool with horizontal and intersecting vertical maroon stripes. Wide three-quarter length sleeves, stand collar, big button fastening. Matching cape running to a three-quarter point of the back.
More…