shirt | Clothes on Film – Part 2

With exclusive insight from costume designer Aggie Guerard Rodgers, we investigate the story behind Harry Caul’s distinctive plastic raincoat.

Sonia Grande’s costume design for Midnight in Paris offers everything we expect of 1920s Paris and the contemporary nouveau riche.

Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity.

Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth.

Editor Chris Laverty explains how to ‘read’ costume on film. From an article originally published in Moviescope magazine.

Matt Spaiser, creator of The Suits of James Bond blog, analyses the style of 007 in the film that started it all – Dr. No.