Jeans | Clothes on Film – Part 2
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Who might win for costume design at the Orange BAFTA Film Awards?
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Crazy, Stupid Love is every inch the ‘fashion film’, both in terms of narrative and costume designer Dayna Pink’s elegant menswear styling.
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Rooney Mara’s Lisbeth will be a style icon.
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For a guy who prefers the synthetic appeal of satin and alloy, physical contact is a violent business.
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Beautiful and affecting, even if it does collapse under the weight of its own earnestness at times.
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Jackson Pollock spawned a thousand imitators in the art world when he chose to work in denim jeans.
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La Femme Nikita re-defines the little black dress on film.
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Denim legitimises Warren Beatty’s character as a man capable of more than posing.
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Though George Clooney is excellent, The American fails to hit the emotional notes expected.
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Costume designer Carloine Harris has recreates the vibrant look of the 1970s.
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Denim re-invented Audrey Hepburn from stylish and chic to cheeky and tomboyish.
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Did you know that Calvin Klein has re-released the white dress that Alicia Silverstone made famous in Clueless? Yes, you probably did.