Wes Anderson | Clothes on Film

Author Matt Zoller Seitz has published a continuation of his superb book The Wes Anderson Collection (2013), entitled (deep breath) The Wes Anderson Collection: The Grand Budapest Hotel. The former is a detailed look at Anderson’s output so far, influences, meaning and interpretation of his work; the latter covers exclusively Anderson’s latest, The Grand Budapest Hotel. This is far more than a bolted on sequel, however, and one of the reasons we know this is because Clothes on Film editor Christopher Laverty was asked to contribute a chapter. More than that, it has recently joined The New York Times bestseller list. A pretty, candy-coloured slab of hardback, Seitz’s follow up…

SPOILERS From a costume point of view, and therefore a character point of view, The Grand Budapest Hotel (directed by Wes Anderson) is all about uniforms; those worn by men and women in official capacities and those adopted as a life uniform by those trapped in the past. Eccentric La Belle Époque hangover Madame D (Tilda Swinton) is the latter, Moustafa Zero (Tony Revolori), a newly appointed lobby boy in the pinnacle of majestic 1930s hotels, The Grand Budapest, is the former. While Madame D goes nowhere, perhaps because she has already been everywhere, Zero undertakes a journey and evolution of character, which subsequently means his clothing does too. In…

The week, the costume stories. Oldboy Ruth Carter on working with Elizabeth Olsen and co. for Spike Lee’s upcoming remake. Some really fab costume sketches too. Piero Tosi The wonderful costume designer (The Leopard, The Night Porter), now 86, receives an honorary Oscar. Sleepy Hollow Generous costume designer Kristin M. Burke once again answers fan questions on Twitter. We really must catch up with this show. 20 Worst Dressed Movie Characters Don’t agree with half of these but it’s a fun list nonetheless. The Hunger Games: Catching Fire Further insight into Trish Sumerville’s creative process. This interview, by Kristen Hohenadel, is one of the best currently doing the rounds. …and…

Wes Anderson’s most sartorially significant film yet.