waistcoat | Clothes on Film

Clothes on Film were fortunate enough to be invited to a display of costumes from the latest adaptation of Murder on the Orient Express (2017), plus interview its costume designer Alexandra Byrne. An Oscar winner for Elizabeth: The Golden Age (2008), and well known for her period design work, since 2011 Byrne has become connected to the world of Marvel, her most recent project being Doctor Strange in 2016. Here she chats candidly about recreating the (mainly) glamorous side of the early 1930s and the challenges that faced her and her team. Alexandra Byrne on shooting in 70 mm: “Director Ken (Branagh) and I did Hamlet (1996) together which was…

There are already a lot of excellent interviews with Oscar winning Beauty and the Beast costume designer Jacqueline Durran online, so with our limited communication we wanted to ask a little more about Belle’s (Emma Watson) day-to-day ensemble and the creation of Gaston’s attire (Luke Evans), arguably the closest character to his 1991 animated counterpart. Ms. Durran, currently hard at work on a new project, was kind enough to provide a few brief responses: Clothes on Film: How did you go about creating costumes for a computer generated Beast? Jacqueline Durran: When I first started prep on the movie the Beast was going to be a prosthetic beast. Had this…

NO SPOILERS Real and mythological, figurative and literal; monsters of all kinds abound in Sky Atlantic’s new period horror series Penny Dreadful. We might expect a skulking figure in a top hat and frock coat to be scary, though who would have thought a bustle and redingote could be so terrifying? Well, step forward Eva Green as enigmatic Vanessa Ives. Not hero nor villain, but a dead eyed clairvoyant who definitely shouldn’t be invited to dinner parties. Penny Dreadful is set in 1891, although is more a literary parallel universe than true reflection of the era. Some of the characters featured are written for the show (Vanessa), some existed in…

Costume designer Mark Bridges described There Will Be Blood (2007) as his most challenging film, referring to the difficulties he faced in transporting costumes to the remote location in West Texas, after director Paul Thomas Anderson called for a new concept three days before a re-shoot. However these challenges seem to channel the themes of the film itself: hardship, isolation, and the determination to overcome any obstacle to fulfil a goal. Daniel Plainview (Daniel Day-Lewis) is a turn-of-the-century prospector, who receives a tip about a giant oil deposit under a family farm in California. The family includes Eli Sunday, a zealous preacher and faith healer who wants the money from…

This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. We rejoin Charlie and his ragtag crew at the big meeting when the gang are all introduced to each other. It had to be a Doug Hayward moment and thankfully does not disappoint. In actual fact it is probably Michael Caine’s best fitting suit in the whole movie: Dark blue worsted wool suit; double breasted jacket, wide peaked lapels, 6 on 2 fastening, slanted hip pockets, ticket…

The following is an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. If The Italian Job (1969) needs any introduction at all it might be possible you’ve been in a coma for the past 40 years. It’s so well known and so well loved that were it not for the fact that no-one has really delved into the sartorial details of Michael Caine’s suits there would be nothing left to talk about. As it happens we have spent time studying and researching The Italian…

The biggest compliment that can be paid to Joanna Johnston’s costumes in Lincoln is that you will hardly notice them.

The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.

George Lazenby’s fashionable Bond is sartorially similar to Daniel Craig in Skyfall.

Proving that frock coats and heavy lace dresses really are terrifying.

Costume wise, This is Jinsy is deliberately bizarre and mismatched. Yet everything makes sense in context.

Watching Jane Eyre on location makes for an enriching experience.