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Anne Hathaway | Clothes on Film

  • MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge suit, women’s clothing has a lot more avenues and possibilities. In addition to colour and pattern there is shape and form, which can vary dramatically for the fashionable wearer. What can vary dramatically can also date dramatically and this can be major stumbling block for costume designers. Films centred around the world of fashion, or those that include a lot of fashionable garments such as The Devil Wears Prada (2006), Clueless (1995) and Funny Face…

  • Jacqueline Oknaian has costumed Ugly Betty (2008-10), Sex and the City 2 (2010) and The Big C (2012-13), so it might be fair to say contemporary clothing is her forte. For The Intern she dressed Anne Hathaway and Robert De Niro in that most tricky of cinematic costume: ‘office attire’. Fashion and practicality collide in what needs to be stylish but relatable clothing inside a believable setting. Here Ms Oknaian chats exclusively about her work on the film. Anne Hathaway has the perfect office wardrobe, where did you get your inspiration for her smart, but chic looks? I related to her character personally because I’m a mother and I’ve worked…

  • The Costume Designers Guild Award nominations right some wrongs and ignore quite a few others.

  • Les Misérables is drenched in costume symbolism, specifically revolutionary red, white and blue. Subtle was never its intention.

  • Costume Designer Lindy Hemming talks exclusively to Clothes on Film about her work on The Dark Knight Rises.

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  • Christopher Nolan once again shows his appreciation for costume in this immensely satisfying end to the Dark Knight trilogy.

  • Somewhat misleading as nowhere is this pic officially tagged as being ‘Catwoman’; officially this is our first shot of Anne Hathway as Selina Kyle.