Domhnall Gleeson | Clothes on Film

Surely we all know Michael Kaplan by now? Flashdance (1983), Fight Club (1999), Burlesque (2010), Star Trek (2009), and the biggest of the big, Star Wars: The Force Awakens. Versatile is not a generous enough word for his talent; he is literally one of the best in the business, as his CDG (Costume Designers Guild) nomination for Star Wars goes some way to proving. I spoke to Mr Kaplan just after Christmas about his work for The Force Awakens, but due to unforeseen circumstances (basically Clothes on Film HQ flooding), this interview is only being posted now. Still much to enjoy though, and plenty of costume titbits to sift through.…

SPOILERS Ahead of a detailed interview with Star Wars: The Force Awakens costume designer Michael Kaplan (currently hard at work on Episode VIII), we take a brief look at his undeniable achievement in bringing the 1970s – early 80’s back to life right here in the present. How do you make the now look old when paradoxically it is supposed to be the new? Well, you go simple. We say simple, but we mean ‘back to basics’. This is not the prequels; The Force Awakens takes place thirty years after the Rebellion defeated the Empire. Now both sides are in state of rebuilding so there is little call for Padmae’s…

SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s designer it becomes all about ‘the fashion’ (OMG TOTES WANT THOSE SHOES). We are currently in an age when costume design means period and sci-fi. It comes to the extent that if a costumer wants to tell a story through contemporary attire, he/she needs either a director with a key grasp of semiotics, or one that doesn’t care less about semiotics and offers a degree of autonomy. Watching About Time we presume that Richard Curtis…