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Clothes from 1990s | Clothes on Film

Clothes from films set during 1990s

  • The second installment (part one HERE) of our extensive interview with Austin Powers trilogy costume designer Deena Appel, this time focusing on The Spy Who Shagged Me (1999, again directed by Jay Roach). Things change up in The Spy Who Shagged Me, for in addition to costuming the modern and swinging sixties world of Austin Powers, his character also travels to 1969, i.e. the ‘hippie era’. The first film was a tremendous success and Appel’s contribution solidified her as the only person who could return to costume this fabulous, vibrant landscape. Speaking exclusively to Clothes on Film, and providing never before seen or published costume sketches from the movie, Deena…

  • With Austin Powers: International Man of Mystery (1997), costume designer Deena Appel created one of the most iconic screen looks of all time. That is no overstatement; Austin Powers has been copied and homaged and wheeled out every year as a Halloween costume, with very little credit put Appel’s way. It is a rather sad indictment of how the industry works that, despite its importance, especially in a film such as Austin Powers, a costume designer will rarely see any kudos come their way. Awards? Well, you might have a chance if your film is set in Victorian England or Disney-verse, but other than that not so much. With this…

  • MINOR SPOILERS Like any film with an extended period of time between the original and sequel(s), T2: Trainspotting (2017) is required to form an immediate connection with its audience. Twenty years have passed, yet we must feel accustomed to this world. For every element of change, something else must remain the same. We take comfort in what we know; it allows us to enjoy the new without fear of the unknown. If T2 had been released a couple of years after Trainspotting (1996), it could potentially have been set in Benidorm. Transplanting our anti-heroes from Scotland to Spain is fine when they are fresh in our conscious mind, but twenty…

  • As Get on Up, director Tate Taylor’s look at the life of singing legend James Brown, hits UK screens we have some fantastic sketches to share of the film’s costuming. Costume designer for Get on Up is the one and only Sharen Davis, who previously worked with Taylor on The Help, although you may know her better for Devil in a Blue Dress, Dreamgirls, Ray and Django Unchained. Davis is absurdly talented and every single project she undertakes should be greeted with cheers by any costume fan. Get on Up with its collective of lowly, stage and civvie ensembles worn by Chadwick Boseman as adult James Joseph Brown (60+changes) is…

  • Internal Affairs (1990) is an excellent stone cold thriller. The costumes are a subtle tease, revealing personal information that the characters never say out loud. Like many movies released in the late 1980s/1990s, Internal Affairs radiates uneasiness caused by shifting societal attitudes – anything that threatens a straight male chauvinist black-and-white world. Costume designer Rudy Dillon punches through this black-and-white world with ensembles that poke fun at the status quo and subsequently subvert them with eroticism, perhaps ironically using only a colour scheme of black and white. The straight white male chauvinist is Dennis Peck (Richard Gere), a police officer in Los Angeles who controls his colleagues by involving them…

  • There is a problem with the costumes in The Wolf of Wall Street, and it has nothing to do with the film itself but the coverage they have received. Namely, that this coverage is incorrect. Articles such as this one for Vogue France, or this for The Hollywood Reporter, or a ‘suit guide’ by Esquire, concentrate almost solely on Giorgio Armani’s contribution to the project with barely a mention of costume designer Sandy Powell. And this is the Sandy Powell by the way: 10 Oscar nominations and so well respected she has an OBE for services to the industry. It was Powell who costumed The Wolf of Wall Street, not…

  • As is often the way with costume designers, Stephanie Collie is something of an unsung hero. We will not reel off her entire back catalogue, but it does include South Riding (2011, TV), Telstar (2008) Peter’s Friends (1992) and perhaps most exciting of all, Lock, Stock and Two Smoking Barrels (1998). Now, anyone old enough to remember when Lock, Stock arrived will remember just what an incredible influence its Mod inspired costumes had on the world of fashion. You could not pick up a men’s magazine of the time without seeing some guy in slim trousers and a jersey polo shirt. Stephanie Collie invented this look, thus providing one of…

  • Second and final part of our retrospective of The Grifters with insight from Mark Bridges.

  • The Wolf of Wall Street trailer brings wide pinstripe suits and revolting ties.

  • First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges.

  • Costume designer Michael Kaplan reminisces with Clothes on Film about creating dark tourist Marla Singer in Fight Club.

  • If you thought a scorpion embroidered bomber jacket was tough to pull off, just wait until you see Ryan Gosling in The Place Beyond the Pines.