-
Lord Christopher Laverty | Clothes on Film
A new VLOG looking back over the still stunning costume design on of Inception. We revisit sci-fi classic Inception a decade after its release with MVP, costume designer Jeffrey Kurland. A new trailer for Christopher Nolan’s Tenet has dropped and it’s undoubtedly going to be the best film EVER. Finally we have a trailer for Tom Hardy’s Capone and it looks jim-jam tastic. How Richard Burton’s character in Villain (1971) dresses to impress and intimidate. Contributor Birdie McAra explores the fantabulously non-male gazey world of Birds of Prey. Join Clothes on Film editor Christopher Laverty for a special Oscars Red Carpet Livestream. You better believe he’s wearing a custom made…
-
dress | Clothes on Film – Part 2
We chat to costume designer Gary Jones about his work on Oz the Great and Powerful. The costume evolution of Sansa Stark in Game of Thrones. Exclusive Q&A with costume designer Amy Westcott about the After Earth life suit. A first-hand close-up look at costumes from Oz the Great and Powerful. Oz is here and as far as fantasy costume is concerned, you are in for some surprises. Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. The costumes of Rumble Fish express the importance of teenage dress codes before the segregating journey into adulthood. Wes Anderson’s most sartorially significant film yet. Clothes…
-
dress | Clothes on Film
MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge suit, women’s clothing has a lot more avenues and possibilities. In addition to colour and pattern there is shape and form, which can vary dramatically for the fashionable wearer. What can vary dramatically can also date dramatically and this can be major stumbling block for costume designers. Films centred around the world of fashion, or those that include a lot of fashionable garments such as The Devil Wears Prada (2006), Clueless (1995) and Funny Face……
-
Game of Thrones Costume Analysis: Daenerys Targaryen | Clothes on Film
Daenerys Targaryen (Emilia Clarke) has undergone one of the most dramatic transformations over the past three seasons of Game of Thrones. She begins a helpless pawn, but grows into the Mother of Dragons and a conquering hero. Like Sansa Stark, Daenerys’ character development is visually shown in her costumes, designed by Michele Clapton. At the beginning of Game of Thrones, Daenerys is under the tight control of her brother, Viserys. Viserys sees her as nothing more than a tool to get what he wants, arranging a marriage to a terrifying war lord just so he can build himself an army to fight for the Iron Throne. Daenerys is weak and…
-
fashion | Clothes on Film
The costume style evolution of Kathleen Turner in Romancing the Stone (1984). As a new feature for Clothes on Film, we will uploading regular videos (say every couple of weeks) to YouTube examining the costume design of new and classic movies, plus selected television and trailers. This is mainly because Clothes on Film’s creator and editor Christopher Laverty (waves) has been busy on other projects (ahem, buy the book) and has not had the opportunity to update the site as much as he’d like. Returning to more regular posting, it felt like a change was needed as there are already over 400 articles currently on here. Hence the idea of…
-
Contact | Clothes on Film
Clothes on Film creator and editor Christopher Laverty can be reached at chris[at]clothesonfilm.com. Contributor contact information can be found on this page. Profile pic: single line illustration by Lokesh Padmashali.
-
neckline | Clothes on Film
Cersei Lannister (Lena Headey) is the quintessential evil queen, right up there with The Queen from Snow White and the Queen of Hearts in Alice in Wonderland. Or is she..? Throughout Game of Thrones we have been given clues as to Cersei’s motivations and character, and by the end of Season 3 she has become, partially at least, a sympathetic character. While Cersei was not involved with the Walder-Frey-Marry-One-Of-My-Daughters plotline, which famously leads to the gruesome ‘Red Wedding’; that plot really drove home that point that in this world women are only worth how beautiful they are. Even Robb Stark, one of the so-called good guys, was horrified at the……
-
Lena Headey | Clothes on Film
Cersei Lannister (Lena Headey) is the quintessential evil queen, right up there with The Queen from Snow White and the Queen of Hearts in Alice in Wonderland. Or is she..? Throughout Game of Thrones we have been given clues as to Cersei’s motivations and character, and by the end of Season 3 she has become, partially at least, a sympathetic character. While Cersei was not involved with the Walder-Frey-Marry-One-Of-My-Daughters plotline, which famously leads to the gruesome ‘Red Wedding’; that plot really drove home that point that in this world women are only worth how beautiful they are. Even Robb Stark, one of the so-called good guys, was horrified at the…
-
Game of Thrones Costume Analysis: Cersei Lannister | Clothes on Film
Cersei Lannister (Lena Headey) is the quintessential evil queen, right up there with The Queen from Snow White and the Queen of Hearts in Alice in Wonderland. Or is she..? Throughout Game of Thrones we have been given clues as to Cersei’s motivations and character, and by the end of Season 3 she has become, partially at least, a sympathetic character. While Cersei was not involved with the Walder-Frey-Marry-One-Of-My-Daughters plotline, which famously leads to the gruesome ‘Red Wedding’; that plot really drove home that point that in this world women are only worth how beautiful they are. Even Robb Stark, one of the so-called good guys, was horrified at the…
-
Richard Burton | Clothes on Film
How Richard Burton’s character in Villain (1971) dresses to impress and intimidate. Lord Christopher Laverty Comments Off on Richard Burton is The Dandy Villain 10 May ’13 20 Jan ’20 17 May ’09