Though George Clooney is excellent, The American fails to hit the emotional notes expected. Lord Christopher Laverty Comments Off on Review: The American 23 Oct ’10 8 Dec ’11 7 Aug ’09

We have five copies of Liz Gregory’s movie dressmaking book Sew Iconic to give away. That’s right, five.

Though George Clooney is excellent, The American fails to hit the emotional notes expected. Lord Christopher Laverty Comments Off on Review: The American 17 Jun ’10 25 Mar ’10 24 Feb ’12

Though George Clooney is excellent, The American fails to hit the emotional notes expected. Lord Christopher Laverty Comments Off on Review: The American 27 Feb ’10 7 Aug ’09 14 Dec ’09

Though George Clooney is excellent, The American fails to hit the emotional notes expected. Lord Christopher Laverty Comments Off on Review: The American 9 May ’09 18 Jul ’09 7 Aug ’09

Though George Clooney is excellent, The American fails to hit the emotional notes expected. Lord Christopher Laverty Comments Off on Review: The American 7 Nov ’09 3 Jun ’09 2 Mar ’10

We have five copies of Liz Gregory’s movie dressmaking book Sew Iconic to give away. That’s right, five.

With Austin Powers: International Man of Mystery (1997), costume designer Deena Appel created one of the most iconic screen looks of all time. That is no overstatement; Austin Powers has been copied and homaged and wheeled out every year as a Halloween costume, with very little credit put Appel’s way. It is a rather sad indictment of how the industry works that, despite its importance, especially in a film such as Austin Powers, a costume designer will rarely see any kudos come their way. Awards? Well, you might have a chance if your film is set in Victorian England or Disney-verse, but other than that not so much. With this…

With Austin Powers: International Man of Mystery (1997), costume designer Deena Appel created one of the most iconic screen looks of all time. That is no overstatement; Austin Powers has been copied and homaged and wheeled out every year as a Halloween costume, with very little credit put Appel’s way. It is a rather sad indictment of how the industry works that, despite its importance, especially in a film such as Austin Powers, a costume designer will rarely see any kudos come their way. Awards? Well, you might have a chance if your film is set in Victorian England or Disney-verse, but other than that not so much. With this…

“Fashion victim” or “ensemble-y challenged”. Examining the legacy of Mona May’s costume design for Clueless. Contributor 6 Comments 8 Sep ’09 15 Apr ’13 29 Aug ’13