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C&A | Clothes on Film
Stone slacks, leather cardigan, pale denim – who wouldn’t want to dress like Alan Partridge? This may be dad brand clothing, but it announces you as the most confident man in the room. Driving gloves? That’s nothing. Try removing your coat and jacket then leaving the driving gloves until last. That takes guts, or failing that a complete lack of personal awareness. In other words it takes a Partridge. Steve Coogan co-created and has played sports-journalist-turned-chat-show-host-turned-DJ Alan Partridge on and off for 22 years. Nothing his character wears is random. For costume designer Julian Day (Berberian Sound Studio, Rush), working alongside perfectionist Coogan on Alpha Papa must have been a…
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baggy | Clothes on Film
Did you know that Calvin Klein has re-released the white dress that Alicia Silverstone made famous in Clueless? Yes, you probably did.
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Karen Muller | Clothes on Film
What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it seemed every month something even more thrilling arrived to fawn over. In the last few weeks alone we have had The Hunger Games: Catching Fire and Sleepy Hollow, and now American Hustle and The Wolf of Wall Street on the horizon. Dipping back further, it was Stoker that got us excited about subtext, The Great Gatsby that slammed the lid on that twenties revival once and for all, and Behind…
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perm | Clothes on Film
Throughout The Way We Were, Barbra Streisand wears a mix of period authenticity and contemporary fashion.
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paradox | Clothes on Film
Throughout The Way We Were, Barbra Streisand wears a mix of period authenticity and contemporary fashion.
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Marxism | Clothes on Film
Throughout The Way We Were, Barbra Streisand wears a mix of period authenticity and contemporary fashion.
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Heidi Bivens | Clothes on Film
What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it seemed every month something even more thrilling arrived to fawn over. In the last few weeks alone we have had The Hunger Games: Catching Fire and Sleepy Hollow, and now American Hustle and The Wolf of Wall Street on the horizon. Dipping back further, it was Stoker that got us excited about subtext, The Great Gatsby that slammed the lid on that twenties revival once and for all, and Behind…
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Orlandi | Clothes on Film
What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it seemed every month something even more thrilling arrived to fawn over. In the last few weeks alone we have had The Hunger Games: Catching Fire and Sleepy Hollow, and now American Hustle and The Wolf of Wall Street on the horizon. Dipping back further, it was Stoker that got us excited about subtext, The Great Gatsby that slammed the lid on that twenties revival once and for all, and Behind…
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Smooth Talk: “Tomorrow Night I'll Wear the Halter” | Clothes on Film – Part 33507
Moments of sartorial significance, and that glimmer of recognition that we feel upon seeing an onscreen outfit worn more than once are found throughout Smooth Talk, Joyce Chopra’s underseen 1986 adaptation of a Joyce Carol Oates short story. The film is rife with all the monotony of life and charming ensembles we expect of a teenage girl in the summer, yet it simultaneously offers complexity and creepiness. Laura Dern plays Connie, an ingénue spending her days as an “unfinished girl, waiting for completion of some sort” (Quart 74). In her essay, “Smoothing Out the Rough Spots: The Film Adaptation of ‘Where Are You Going, Where Have You Been?’” Rebecca Sumner…
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Steven Norman Lee | Clothes on Film
What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it seemed every month something even more thrilling arrived to fawn over. In the last few weeks alone we have had The Hunger Games: Catching Fire and Sleepy Hollow, and now American Hustle and The Wolf of Wall Street on the horizon. Dipping back further, it was Stoker that got us excited about subtext, The Great Gatsby that slammed the lid on that twenties revival once and for all, and Behind…