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Mad Men: Maggie Siff's Tweed Suit (S1) | http://clothesonfilm.net
Maggie Siff playing Chanel suited businesswoman Rachel Menken was present for the birth of a show that now creates trends as much as reflects them; fashionistas cannot get enough of Mad Men. 2007 Was the dawning of a new era; a time of cocktails, Cadillacs, A-lines and trilbys. This is when sixties-set advertising drama Mad Men first hit our screens. Don Draper was trying to sell his ‘luckies’, Campbell still looked about twelve, Peggy made a big mistake and Rachel Menken arrived on the scene wearing the ultimate in simple sophistication. As series one progressed her character gradually became less and less interesting (pretty much as she fell for Don).…
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Journeying Into the Costumes of Into the Woods | http://clothesonfilm.net – Part 35611
Into the Woods opened on Broadway in 1987, with the music and lyrics written by Stephen Sondheim and the book by James Lapine. It is Sondheim’s most performed musical and one of his best known works. The story combines familiar characters from childhood fairy tales such as Cinderella, Little Red Riding Hood, and the ubiquitous Witch, and explores their journeys to get their wish, as well as the negative consequences of the small dishonesties committed by each character to get what they want. As the witch sings, “Told a little lie/Stole a little gold/Broke a little vow/Did you?/Had to get your prince/Had to get your cow/Had to get your wish/Doesn’t…
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News | http://clothesonfilm.net – Part 2
Clothes and costume related movie news BAFTA Costume design nominations announced. Worthy, but no surprises. Fascinating video about Hardy Amies costumes for 2001: A Space Odyssey. Julien’s Hollywood Icons and Idols sale draws high bids for famous costumes, but not the big numbers seen last year at the Debbie Reynolds auction. Forgive the self-promotion as we draw your attention to Clothes on Film’s inclusion in book ‘Hollywood Costume’ edited by Deborah Nadoolman Landis. A rundown of why Hollywood Costume at the V&A is the best event you will see all year. Could Django Unchained be the first Quentin Tarantino movie to win a Costume Design Oscar? A new compilation of…
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North by Northwest: Cary Grant's Kilgour Suit | http://clothesonfilm.net – Part 844
Savile Row tailors Kilgour provided much of Cary Grant’s wardrobe for North by Northwest (1959). In all probability director Alfred Hitchcock left Grant to his own devices in selecting ensembles, just as he’d done on To Catch a Thief four years earlier. If this was in fact the case, Hitchcock was not so trusting with Eva Marie Saint’s wardrobe. Disliking initial design sketches for her look, he escorted Marie Saint to New York’s swanky Bergdorf Goodman department store, personally choosing her outfits right off the racks. She later jokingly referred to Hitch as her “one and only sugar daddy”. As for Cary Grant, by this stage in his career it…
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After Earth: Costume Designer Amy Westcott Explains Life Suit | http://clothesonfilm.net – Part 32031
After Earth is Amy Westcott’s first attempt at a sci-fi feature. Her M.O tends to be contemporary costume, such as The Wrestler (2008) and award winning work on Black Swan (2010). But even then she seeks out subtext amongst typical genre interpretation. Black Swan for example is a psychological horror whereby costume reflects the inner workings of the protagonist’s mind so actually becomes part of the narrative. After Earth is similar in this respect because the film’s primary ensemble, the ‘life suit’ worn by Kitai Raige (Jaden Smith) is synthetic in construction yet organically synched with the human body. Without his suit, Kitai could not survive Earth’s hazardous environment; his…
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About Time to Dress Upper Middle Class | http://clothesonfilm.net – Part 35056
SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s designer it becomes all about ‘the fashion’ (OMG TOTES WANT THOSE SHOES). We are currently in an age when costume design means period and sci-fi. It comes to the extent that if a costumer wants to tell a story through contemporary attire, he/she needs either a director with a key grasp of semiotics, or one that doesn’t care less about semiotics and offers a degree of autonomy. Watching About Time we presume that Richard Curtis…
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Working Girl: The Culture of Power Dressing | http://clothesonfilm.net – Part 33184
Costume designer Ann Roth’s template for Working Girl (1988, directed by Mike Nichols) is especially astute with regards to the social and geographical make up of its characters. Protagonist Tess McGill (Melanie Griffith) is a homely girl raised and living in Staten Island, New York. Currently working as a secretary in Manhattan (not ‘executive assistant’, reflecting vernacular of the time), as is her best friend Cynthia (Joan Cusack). Tess, however, has gained a degree through night school and harbours ambitions to use it for more constructive tasks than answering the telephone and fetching toilet paper for bawdy stockbrokers. After being set up for a ‘date’ that turned out to be…
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Dual Analysis: The Big Lebowski – KB's Thoughts | http://clothesonfilm.net – Part 10994
Part two of a Dual Analysis with KB from FrockTalk.com. This movie is brilliantly designed in that the characters are concisely and efficiently illustrated. These characters are clearly defined from the beginning, and their costumes tell us exactly who they are from the moment we meet them. In this sense, they are archetypes, strongly drawn and easily recognized. For a movie as wacky and all over the place as The Big Lebowski, the visual simplicity of these characters helps the audience to stay engaged. Example: Jeffrey “The Dude” Lebowski. Here is what he wears when we first meet him: He’s in public, wearing a bathrobe, buying half and half, paying…
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UK Film Review: Inglourious Basterds | http://clothesonfilm.net – Part 3667
Starring: Brad Pitt, Mélanie Laurent, Christoph Waltz Director: Quentin Tarantino World War II set Inglourious Basterds is Quentin Tarantino’s first ‘period film’ as such. It is an occasionally taxing two and half hours, not for the easily distracted. Though judging by Tarantino’s appreciation of how costume (military or otherwise) defined this brutal time, maybe he should revisit history’s atrocities more often. Via costume designer Anna B. Sheppard, Tarantino has deftly employed uniform to suggest a threatening presence in his antagonists. For the film’s first act, or chapter, SS Colonel Hans Landa (Christoph Waltz) visits the home of a French farmer and his three daughters he suspects of harbouring Jews. Landa…
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Doctor Who: A Contemporary Costume Evolution | http://clothesonfilm.net – Part 35381
Doctor Who, the quirky British sci-fi television series about a time travelling alien and his friends, premiered in 1963. Since then there have been twelve Doctors (and a War Doctor), each with their own unique looks to match their unique and often eccentric personalities. With the debut of the Twelfth Doctor fast approaching, this post takes a look back at the three Doctors we’ve seen so far (not including the War Doctor) on Doctor Who since it was rebooted in 2005 (or New Who, as some like to call it) and guesses at what we can expect from Doctor number twelve. Christopher Eccleston as the Ninth Doctor Who. Costume designer:…