Join Clothes on Film editor Christopher Laverty for a special Oscars Red Carpet Livestream. You better believe he’s wearing a custom made crown. We chat about why James Bond wearing a Tom Ford suit is almost a waste of time for the From Tailors with Love podcast. A brief glimpse at the costume world Mark Bridges created for Joker. Author Matt Zoller Seitz has published a continuation of his superb book The Wes Anderson Collection (2013), entitled (deep breath) The Wes Anderson Collection: The Grand Budapest Hotel. The former is a detailed look at Anderson’s output so far, influences, meaning and interpretation of his work; the latter covers exclusively Anderson’s…

Michael Kaplan’s career is one film after another of “wow, he did that?” cinema: Blade Runner, Flashdance, Seven, Fight Club, Burlesque, plus dozens more. Kaplan’s connection to Star Trek began as costume designer on J.J. Abrams’ reboot in 2009, and now he is back for the sequel. Despite admitting he was no expert in the world of Star Trek before signing on, his work on both movies has been praised; particularly the Enterprise crew uniforms (that reoccurring Starfleet pattern is a classy touch). Here chatting exclusively to Clothes on Film, Michael Kaplan explains his approach to costuming Star Trek Into Darkness (out everywhere this week). SPOILERS WITHIN Costume sketch of…

Speaking exclusively to Clothes on Film, Le Divorce costume designer Carol Ramsey explains how a Hermès Kelly can be elevated from status symbol to character. Jeffrey Kurland has once again spoken exclusively to Clothes on Film about his inspiring costume design for Inception. Here are a few images from the film that you have probably seen already. Ray Holman chats exclusively about dressing Matt Smith as the new Doctor.

Clothes from films set during Victorian/Edwardian era to post war The higher the waist, the closer to god. The importance of costume colour for the colourblind casting of The Personal History of David Copperfield. Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in…

A couple of days ago we paid a visit to Brooks Brothers in London. Unfortunately for the disappointed staff we were not planning on spending anything, instead we just wanted to see Catherine Martin’s costumes on display from The Great Gatsby. We snapped a few photos but they are largely terrible thanks to an unsteady hand and underpowered camera. Still, they should give you a flavour of the costumes if nothing else. There are three displays featuring half a dozen dresses with male mannequins dotted in-between – all of which are wearing tuxedos/evening suits. This is a shame because Brooks Brothers provided 1920s patterns of all suit styles for the…

How Richard Burton’s character in Villain (1971) dresses to impress and intimidate. Jack Sparrow has finally become the irritating wiseass who just won’t leave the party. Win two pairs of tickets to an exclusive screening of Pirates of the Caribbean: On Stranger Tides in London on 9th May. Harr!

Certainly the most memorable costume Diane Kruger wears in National Treasure (2004) is a luscious silk evening dress; particularly in regards to what her character puts it through. For this fun Disney adventure, Kruger plays National Archives curator turned fortune finder Dr. Abigail Chase. From blow drying the Declaration of Independence to searching an ancient cavern for Freemason gold, she gets more to do than merely follow Nicolas Cage’s ‘treasure protector’ Ben Gates around and scream whenever the bad guys pull their guns out. Abigail swinging from the back of a moving vehicle in an unashamedly flouncy gown is one of the more memorable images from the film. Moreover this…

Join Clothes on Film editor Christopher Laverty for a special Oscars Red Carpet Livestream. You better believe he’s wearing a custom made crown. So what’s been happening this week then? Blue Jasmine ‘In costuming the past we lose the present.’ Wonder Woman Michael Wilkinson has basically said nothing about Wonder Woman’s outfit, yet we’re still hanging on his every word. Mad Men Jessica Paré chats about the show’s costumes and her own ‘French with a rock edge’ style. Dallas Costume designer Rachel Sage talks about her work on the TNT reboot. The Oscars Catherine Martin wins and wins BIG. Kudos. Red carpet fashion Tyranny of Style casts his educated gaze…

The subtle differentiation of character through costume design in Moon. Contributor 2 Comments 26 Sep ’11 10 Mar ’13 30 Apr ’10

Jeffrey Kurland has once again spoken exclusively to Clothes on Film about his inspiring costume design for Inception. Lord Christopher Laverty 15 Comments 19 Dec ’11 19 May ’11 5 Mar ’12