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    Superqueen | Clothes on Film

    Happy New Year everyone! Life Without Zoe, The Canyons Two well researched and well written posts by Superqueen. This site is always worth a scoot around. 12 Years a Slave Costume Designer Patricia Norris is 82 years young. Cancel your retirement. The Most Iconic Costumes of all Time Marilyn’s dress in The Seven Year Itch? No, frankly. Ellen Mirojnick The Costume Cafe podcast with a lady we adore here at Clothes on Film. Inside Llewyn Davis Frocktalk reviews the extraordinary ‘sweaterville’ work of Mary Zophres for the Coens’ latest. Michael Wilkinson For Guise magazine, Joe Kucharski chats to Michael Wilkinson about digital illustration in costume design. Big Screen Style Moments…

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    The Costume Cafe Podcast | Clothes on Film

    Happy New Year everyone! Life Without Zoe, The Canyons Two well researched and well written posts by Superqueen. This site is always worth a scoot around. 12 Years a Slave Costume Designer Patricia Norris is 82 years young. Cancel your retirement. The Most Iconic Costumes of all Time Marilyn’s dress in The Seven Year Itch? No, frankly. Ellen Mirojnick The Costume Cafe podcast with a lady we adore here at Clothes on Film. Inside Llewyn Davis Frocktalk reviews the extraordinary ‘sweaterville’ work of Mary Zophres for the Coens’ latest. Michael Wilkinson For Guise magazine, Joe Kucharski chats to Michael Wilkinson about digital illustration in costume design. Big Screen Style Moments…

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    Begbie | Clothes on Film

    MINOR SPOILERS Like any film with an extended period of time between the original and sequel(s), T2: Trainspotting (2017) is required to form an immediate connection with its audience. Twenty years have passed, yet we must feel accustomed to this world. For every element of change, something else must remain the same. We take comfort in what we know; it allows us to enjoy the new without fear of the unknown. If T2 had been released a couple of years after Trainspotting (1996), it could potentially have been set in Benidorm. Transplanting our anti-heroes from Scotland to Spain is fine when they are fresh in our conscious mind, but twenty…

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    mac | Clothes on Film

    Two-part BBC drama The 7.39 could have been your average ‘man meets woman and has an affair’ tale. However, the overall verdict has been one of admiration at not only the amazing acting from its star players but also the script, which took the audience on an emotional rollercoaster throughout its glorious two hours. But again, often overlooked is the costume, in this case contemporary. The story of the female lead, Sally Thorn, played by Sheridan Smith with a wonderful naturalness, is particularly clearly told through what she wears (costume design by Lucinda Wright). Carl Matthews (believably played by David Morrissey) is stuck in a rut. Tired of his job,……

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    high neck | Clothes on Film

    Adèle Blanc-Sec’s world is akin to a fantasy Belle Époque; 1910s attire dotted among reanimated corpses and a dinosaur. Lord Christopher Laverty Comments Off on Louise Bourgoin as Adèle Blanc-Sec: Feathers in Her Hat 5 Jul ’13 4 Feb ’20 1 Apr ’14

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    Sarah Paulson | Clothes on Film

    MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge suit, women’s clothing has a lot more avenues and possibilities. In addition to colour and pattern there is shape and form, which can vary dramatically for the fashionable wearer. What can vary dramatically can also date dramatically and this can be major stumbling block for costume designers. Films centred around the world of fashion, or those that include a lot of fashionable garments such as The Devil Wears Prada (2006), Clueless (1995) and Funny Face……

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    petticoat | Clothes on Film

    Adèle Blanc-Sec’s world is akin to a fantasy Belle Époque; 1910s attire dotted among reanimated corpses and a dinosaur. Lord Christopher Laverty Comments Off on Louise Bourgoin as Adèle Blanc-Sec: Feathers in Her Hat 5 May ’09 5 Oct ’10 4 Feb ’11 Christie’s are auctioning several Edith Head sketches for costume designs worn by Grace Kelly. Lord Christopher Laverty Comments Off on Edith Head Sketches for Grace Kelly Costumes to be Auctioned 17 Aug ’09 1 Jun ’09 9 Feb ’15

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    Dakota Fanning | Clothes on Film

    Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the……

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    Bécassine | Clothes on Film

    Adèle Blanc-Sec’s world is akin to a fantasy Belle Époque; 1910s attire dotted among reanimated corpses and a dinosaur. Lord Christopher Laverty Comments Off on Louise Bourgoin as Adèle Blanc-Sec: Feathers in Her Hat 31 Jan ’20 26 Jul ’10 26 Apr ’18