Uncategorized
-
DVF | Clothes on Film
The Girl Most Likely To is a film for all those who have been laughed at because of the way they look. Lord Christopher Laverty 2 Comments 16 Feb ’13 20 Feb ’10 22 Jul ’11
-
Working Girl | Clothes on Film
Costume designer Ann Roth, arguably one of the greatest of her craft still working in Hollywood, has costumed director Steven Spielberg’s latest The Post, and by the looks of this first trailer we are in for a muted treat: What we have are gentlemen sporting classic collar points with moderate spread, sometimes short sleeve (always with a chest pocket – a very American touch) and medium breadth neckties. The occasional kipper, but this 1971 is a very different world than, say, The Deuce (costume designer Anna Terrazas). The seventies may have ushered in increasingly wide flared trousers and oversized lapels but it’s doubtful we’ll see much of those in The……
-
Wrap Dress | Clothes on Film
The highly anticipated season five premiere of Game of Thrones aired across the globe this week, giving us tantalising glimpses of where our favorite characters are now. We saw two brief scenes of Sansa Stark (Sophie Turner), who had a major makeover at the end of Season Four. With this new direction in her character, where will she end up in Season Five? In this little addendum to our previous analysis of her wardrobe, we explore the character clues in Sansa’s striking new look (costume design by Michele Clapton). Sansa has not had it easy so far. During the last few seasons she has been trapped in King’s Landing, tortured……
-
Emily Browning | Clothes on Film
Director Brian Helgeland’s Legend (2015) tells the based-on true story of Ronald and Reggie Kray: twins (both played by Tom Hardy), East End boys, racketeers, murderers, icons. The Krays were shaped during the 1960s, a post World War II boom for England. They came to symbolise the smartly dressed gangster for a new youth-orientated generation. They had money and they wanted to flaunt it – and that meant suits and a lot of jewellery. Costume designer for Legend, Caroline Harris, boasting over 20 years experience in both film and television with credits such as Mr Nice (2010), Red Riding (2009) and Fleming (2014), here chats exclusively to Clothes on Film……
-
Ray Donovan | Clothes on Film
Two weeks of catch up for you. Phillip Boutte Jr. This is something special. Tyranny of Style interview costume illustrator Phillip Boutte Jr. featuring some of his fabulous digital renderings from X-Men: Days of Future Past. Wonder Woman Apparently ‘exclusive’ costume details for the Batman vs. Superman: Dawn of Justice movie, which is due April 2016. Wonder Woman will look ‘badass’. The Best Movie Sunglasses of ALL TIME So says Vogue. Penny Dreadful Brilliant look at the show’s costume design with insight from Gabriella Pescucci. Love the French impressionists inspiration. Clueless This is kinda cool – clothes retailer Metail have introduced a Cher style style wardrobe selector. We have the…
-
Alison Brie | Clothes on Film
Costume designer Ann Roth, arguably one of the greatest of her craft still working in Hollywood, has costumed director Steven Spielberg’s latest The Post, and by the looks of this first trailer we are in for a muted treat: What we have are gentlemen sporting classic collar points with moderate spread, sometimes short sleeve (always with a chest pocket – a very American touch) and medium breadth neckties. The occasional kipper, but this 1971 is a very different world than, say, The Deuce (costume designer Anna Terrazas). The seventies may have ushered in increasingly wide flared trousers and oversized lapels but it’s doubtful we’ll see much of those in The…
-
Bradley Whitford | Clothes on Film
Costume designer Ann Roth, arguably one of the greatest of her craft still working in Hollywood, has costumed director Steven Spielberg’s latest The Post, and by the looks of this first trailer we are in for a muted treat: What we have are gentlemen sporting classic collar points with moderate spread, sometimes short sleeve (always with a chest pocket – a very American touch) and medium breadth neckties. The occasional kipper, but this 1971 is a very different world than, say, The Deuce (costume designer Anna Terrazas). The seventies may have ushered in increasingly wide flared trousers and oversized lapels but it’s doubtful we’ll see much of those in The…
-
Adèle Blanc-Sec | Clothes on Film
Adèle Blanc-Sec’s world is akin to a fantasy Belle Époque; 1910s attire dotted among reanimated corpses and a dinosaur. Lord Christopher Laverty Comments Off on Louise Bourgoin as Adèle Blanc-Sec: Feathers in Her Hat 23 Oct ’12 9 Jul ’12 4 May ’11
-
Gilded Age | Clothes on Film
Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the…
-
ankle boots | Clothes on Film
Adèle Blanc-Sec’s world is akin to a fantasy Belle Époque; 1910s attire dotted among reanimated corpses and a dinosaur. Lord Christopher Laverty Comments Off on Louise Bourgoin as Adèle Blanc-Sec: Feathers in Her Hat 19 May ’09 20 May ’14 26 Apr ’18