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Two For the Road: Audrey Hepburn's outfits – Part One | Clothes on Film – Part 1318
As the 1960s dawned, Audrey Hepburn entered her thirtieth year. Following the success of such films as Funny Face (1957) and Breakfast at Tiffany’s (1961) she was a huge star, and thanks to her enduring relationship with couturier Hubert de Givenchy (she was his muse) a style icon to boot. Yet as the decade grooved to immortality with ‘youthquake’ spreading across the globe like wild fire, Audrey suddenly found herself part of the old guard. Teenagers were wearing shorter and shorter minis in myriad colours, and while Audrey always remained chic in her LBD or Givenchy sack, she was not really appealing to a young audience anymore. She wasn’t hip.…
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Ezra Miller | Clothes on Film
Catherine George’s costume design demonstrates how we read physicality on-screen. Lord Christopher Laverty 2 Comments 15 Oct ’10 19 Jul ’10 29 Nov ’10
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nostalgia | Clothes on Film
Catherine George’s costume design demonstrates how we read physicality on-screen. Lord Christopher Laverty 2 Comments 14 Dec ’12 11 Feb ’14 25 Dec ’10
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101 Dalmatians | Clothes on Film
No round up last week because we were a bit busy, so this week is MEGA JAMMED WITH COSTUME GOODNESS. Puttin’ on the Glitz We teamed up with Amber Jane Butchart and The British Library to talk jazz age fashion and dandy gangsters. Further coverage to follow… Costume Test Images 50 of them to be precise, from Gentlemen Prefer Blondes to Star Wars, Batman, and beyond. Noah Mad good interview/article by Tyranny of Style with Noah’s Head Textile Artist Matt Reitsma. There is absolutely no way you can care about costume design and not read this. Business of Fashion Costume designers, fashion designers, studios, brands, and a business venture 100…
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Rock Duer | Clothes on Film
Catherine George’s costume design demonstrates how we read physicality on-screen. Lord Christopher Laverty 2 Comments 16 Oct ’14 13 Jul ’10 17 Jun ’11
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two tone suit | Clothes on Film
As account man Roger Sterling, John Slattery tended to wear a light grey three piece suit; right up until he donned a sharp double breasted for the first time.
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National Velvet | Clothes on Film
$ 4,600,000 for Marilyn Monroe’s ‘subway’ dress was only just one mega bid of many. Lord Christopher Laverty 3 Comments 6 Mar ’17 14 Jun ’10 28 Dec ’11
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Gentleman Prefer Blondes | Clothes on Film
$ 4,600,000 for Marilyn Monroe’s ‘subway’ dress was only just one mega bid of many. Lord Christopher Laverty 3 Comments 21 Oct ’11 9 Nov ’10 15 Nov ’13
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Rudolph Valentino | Clothes on Film
$ 4,600,000 for Marilyn Monroe’s ‘subway’ dress was only just one mega bid of many. Lord Christopher Laverty 3 Comments 11 Aug ’10 30 Jan ’12 23 Oct ’10
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phallus | Clothes on Film
La Femme Nikita re-defines the little black dress on film. Lord Christopher Laverty 2 Comments 11 Oct ’11 7 May ’13 6 Sep ’10