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    David Lynch | Clothes on Film

    Filmmaker and costume designer Sophie Black recounts her personal interpretation of Heathers, a film defined by vivid visual interpretation. It is just a coincidence that the first time I saw Michael Lehmann’s Heathers (1988) was within hours of the first time I saw David Lynch’s Blue Velvet (1986), and I immediately made comparisons between the two films which I may have not noticed otherwise. More people are quick to compare Heathers to the work of Tim Burton, because of the associates he had on the film (producer Denise Di Novi and star Winona Ryder, to name but two) and the fact that the candy-coloured suburban setting mirrors that of Edward……

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    high heels | Clothes on Film – Part 2

    In Malèna, Monica Bellucci plays an impossible vision of beauty; a woman so striking she is immediately sexualised by all who lay eyes on her. All the recurring themes in Desperately Seeking Susan are linked to one jacket. La Femme Nikita re-defines the little black dress on film. The proposed ethos behind Tron Legacy merchandising is more than just product; it’s a lifestyle choice.

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    aviator sunglasses | Clothes on Film

    Costume designer Carloine Harris has recreates the vibrant look of the 1970s. The Big Lebowski is brilliantly designed; the characters are concisely and efficiently illustrated, says KB from FrockTalk.com. Let’s tell you why The Big Lebowski costume design rocked in an almost completely non-subtextual way.