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New Balance | Clothes on Film
Crazy, Stupid Love is every inch the ‘fashion film’, both in terms of narrative and costume designer Dayna Pink’s elegant menswear styling.
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femme fatale | Clothes on Film
Filmmaker and costume designer Sophie Black recounts her personal interpretation of Heathers, a film defined by vivid visual interpretation. It is just a coincidence that the first time I saw Michael Lehmann’s Heathers (1988) was within hours of the first time I saw David Lynch’s Blue Velvet (1986), and I immediately made comparisons between the two films which I may have not noticed otherwise. More people are quick to compare Heathers to the work of Tim Burton, because of the associates he had on the film (producer Denise Di Novi and star Winona Ryder, to name but two) and the fact that the candy-coloured suburban setting mirrors that of Edward……
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nylon net | Clothes on Film
As worn by Grace Kelly, this floaty, conspicuous dress is an appreciable nod to Dior’s ‘New Look’ of the late 1940s.
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Blue Velvet | Clothes on Film
Filmmaker and costume designer Sophie Black recounts her personal interpretation of Heathers, a film defined by vivid visual interpretation. It is just a coincidence that the first time I saw Michael Lehmann’s Heathers (1988) was within hours of the first time I saw David Lynch’s Blue Velvet (1986), and I immediately made comparisons between the two films which I may have not noticed otherwise. More people are quick to compare Heathers to the work of Tim Burton, because of the associates he had on the film (producer Denise Di Novi and star Winona Ryder, to name but two) and the fact that the candy-coloured suburban setting mirrors that of Edward…
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latex | Clothes on Film
We examine the design of the Tron Legacy light suits in detail including their creation, construction and symbolism.
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Wendy Partridge | Clothes on Film
Oi! Costume! The Fifth Element Jean Paul Gaultier’s original costume for when Prince was cast as outrageous Ruby Rhod. The Hunger Games: Catching Fire A few more words with Trish Summerville about one of the most anticipated costume films of the year. Downton Abbey Caroline McCall discusses challenges of working on the show. Noticed all the purples and blacks worn by Lady Mary this season? That’s because she is still in mourning. Catching Fire Jennifer Lawrence wanted to wear “everything” apparently. Understandable from what we’ve seen of the costumes so far. Video: Ms Summerville explaining even more about those Katniss and co costumes. Exciting, exciting… Costume Cafe Podcast Lauren Delany……
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check suit | Clothes on Film
Spoiler warning: We examine the use of suits, iron or otherwise, in Iron Man 3 to conceal and recreate identity. Gripping entertainment with subtext on everything from ethnicity to hierarchal costume.
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Crieman War | Clothes on Film
Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Lord Christopher Laverty 14 Comments 23 Dec ’11 28 Sep ’11 5 May ’10
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Colleen Monroe | Clothes on Film
This week’s costume design news. Mad Men “She buys her clothes two sizes too small, more 50’s than 60’s.” – Janie Bryant knows her Joan. Yves Saint Laurent Costume designer Madeline Fontaine’s predictably difficult job costuming the immaculate biopic. …and sticking with Yves, HERE‘s Kate Muir’s article inspired by the film for The Times featuring Clothes on Film ed Christopher Laverty. Sunday in New York Another stunning analysis by Kay Noske, this time focusing on Jane Fonda’s enviable wardrobe as ’the only 22 year old virgin left in the world’. Hannibal Part 2 of Hello Tailor’s in-depth analysis. Even if you can’t be bothered to read the article (though you……
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dungarees | Clothes on Film
Costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds. Lord Christopher Laverty 41 Comments 2 Nov ’17 23 Oct ’09 26 Jun ’09