This week’s costume design news. Mad Men “She buys her clothes two sizes too small, more 50’s than 60’s.” – Janie Bryant knows her Joan. Yves Saint Laurent Costume designer Madeline Fontaine’s predictably difficult job costuming the immaculate biopic. …and sticking with Yves, HERE‘s Kate Muir’s article inspired by the film for The Times featuring Clothes on Film ed Christopher Laverty. Sunday in New York Another stunning analysis by Kay Noske, this time focusing on Jane Fonda’s enviable wardrobe as ’the only 22 year old virgin left in the world’. Hannibal Part 2 of Hello Tailor’s in-depth analysis. Even if you can’t be bothered to read the article (though you…

In honour of The Times’ film critic Kevin Maher’s list of iconic movie rebels, we take a look at what it truly takes to make a tough guy in cinema. What constitutes a tough guy, as in ‘man’, on film is usually a traditional interpretation of masculinity. There is always room for the sensitive hero in a sweater and slacks, but for those who watch movies as ingrained wish fulfilment, the sexy and sweaty man’s man needs suitable attire to reflect his personality. But it is not just about the garments themselves. A jacket is a jacket, but a leather jacket is a symbol. A wax jacket on the other…

All the recurring themes in Desperately Seeking Susan are linked to one jacket. As worn by Grace Kelly, this floaty, conspicuous dress is an appreciable nod to Dior’s ‘New Look’ of the late 1940s.

Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from the beginning of the movie to the end which tells its own tale of what is happening to its owner. When we first see Jasmine (Cate Blanchett) she is flying first-class from New York to San Francisco to see her sister Ginger (Sally Hawkins). On the flight she dazzles a fellow passenger with the story of how she met her wealthy businessman husband Hal (Alec Baldwin). Or so she thinks.……

With Austin Powers: International Man of Mystery (1997), costume designer Deena Appel created one of the most iconic screen looks of all time. That is no overstatement; Austin Powers has been copied and homaged and wheeled out every year as a Halloween costume, with very little credit put Appel’s way. It is a rather sad indictment of how the industry works that, despite its importance, especially in a film such as Austin Powers, a costume designer will rarely see any kudos come their way. Awards? Well, you might have a chance if your film is set in Victorian England or Disney-verse, but other than that not so much. With this……

Must admit, we kind of saw this one coming. The Hunger Games: Catching Fire costume designer Trish Summerville has teamed up with online fashion retailer Net-a-Porter to produce 16 ready-to-wear outfits, leather goods and jewellery tied into the film. These ensembles will available exclusively at Net-a-Porter while being simultaneously promoted through Lionsgate’s Capital Couture website. Summerville, recently honoured as Costume Designer of the Year at the 10th Annual Style Awards, commented she’s “extremely proud of the designs that we created for The Hunger Games: Catching Fire and there’s no partner more appropriate for Capitol Couture than the world’s most cutting-edge luxury retailer”. If anyone can make such a collection work,……

On Tuesday 13th September, Clothes on Film makes its television debut chatting about the amazing costume design of Boardwalk Empire. Despite having watched Catfish at the Leeds International Film Festival, you will find no review of it here.

Denim re-invented Audrey Hepburn from stylish and chic to cheeky and tomboyish. Lord Christopher Laverty Comments Off on Two For the Road: Audrey Hepburn in Denim 29 Aug ’13 20 Feb ’14 24 Jun ’11 Baby’s ascent to womanhood is showcased through her wardrobe choices. Lord Christopher Laverty 2 Comments 4 Oct ’10 25 Sep ’18 21 May ’12 The Lovely Bones has been chosen for this year’s Royal Gala screening at London’s Leicester Square. Lord Christopher Laverty 1 Comment 7 Jul ’10 28 Aug ’09 20 Jan ’12

Let’s get this straight: Peaky Blinders is not Boardwalk Empire. It’s a post World War I gangster drama, during roughly the same time period (1919 as opposed to the early 20’s), it’s gritty, features loyal yet warring brothers, is as cool as ice chips and doesn’t pull any punches. However Boardwalk Empire is set in the attractive seaside landscape of Atlantic City, USA, while Peaky Blinders is set in Birmingham. The whole palette is different too. Boardwalk is colourful and vibrant, Peaky is dark and dingy. Evidently this extends to the clothes. You wouldn’t have got far walking around Birmingham in an orange silk shirt and camel coat; this was…

Recently we were fortunate enough to get our hands on Amber Jane Butchart’s new book, her ‘Fashion Miscellany’, which has just been published by The IIex Press. If you don’t already know, Amber is a contributor to Clothes on Film and will soon be teaming up with editor Christopher Laverty for an evening of Jazz Era discussion at the British Library. Her book, by the way, is flippin’ brilliant. If you care even slightly about what we wear and why, AJBFM is an indispensable purchase. The layout of it is simple enough. It’s basically designed as a dip-in-and-out for research, or whenever you fancy a flick though. We’d call this……