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There Will be Blood | Clothes on Film
A brief glimpse at the costume world Mark Bridges created for Joker. Lord Christopher Laverty Comments Off on The Costuming of Joaquin Phoenix in Joker 19 Jul ’16 14 Aug ’10 5 Sep ’11
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silhouette | Clothes on Film
The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.
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Shoreditch | Clothes on Film
MILD SPOILERS Director Ben Wheatley’s latest, Free Fire, is set in Boston, 1978, but was actually shot in Brighton in 2015. Being as the plot revolves around ten characters involved in a one hour plus shoot-out inside a disused factory, from a sartorial point of view things get rather grubby. The film’s BAFTA nominated costume designer Emma Fryer has already worked with Wheatley on The ABCs of Death (2012) and A Field in England (2013) so is used to the way his stories tend to go bananas in the final reel. Free Fire unfolds practically in real time, which amps up the tension but allows for no mistake with costume.…
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Criterion Collection | Clothes on Film
As a new feature for Clothes on Film, we will uploading regular videos (say every couple of weeks) to YouTube examining the costume design of new and classic movies, plus selected television and trailers. This is mainly because Clothes on Film’s creator and editor Christopher Laverty (waves) has been busy on other projects (ahem, buy the book) and has not had the opportunity to update the site as much as he’d like. Returning to more regular posting, it felt like a change was needed as there are already over 400 articles currently on here. Hence the idea of video. There will be some written articles added, but for the most……
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Black Caesar: Blaxploitation Gangster | Clothes on Film – Part 31932
The gangster genre’s central protagonist (antagonist?) is conspicuous in his journey from street kid to street king by coveting the finest fabrics and tailoring that money can buy. He becomes a vain, petty man destroyed by inability to reconcile his old simpler world with the politics of his new one. It is no accident that most of the principal characters in gangster films are minorities, symbolising a detachment from society and upending of the American dream. He/she can be as rich and powerful as he/she wants, but for those born on the wrong side of the tracks (i.e. minorities, if conforming to the genre model), the only way to fulfil…
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Amistad | Clothes on Film
Spike Lee’s Oldboy remake whips out the same suit and hammer. Lord Christopher Laverty Comments Off on Trailer for Spike Lee’s Oldboy: Nothing New? 15 Dec ’09 27 Nov ’09 6 Feb ’17
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Elliot Rhodes | Clothes on Film
MILD SPOILERS Director Ben Wheatley’s latest, Free Fire, is set in Boston, 1978, but was actually shot in Brighton in 2015. Being as the plot revolves around ten characters involved in a one hour plus shoot-out inside a disused factory, from a sartorial point of view things get rather grubby. The film’s BAFTA nominated costume designer Emma Fryer has already worked with Wheatley on The ABCs of Death (2012) and A Field in England (2013) so is used to the way his stories tend to go bananas in the final reel. Free Fire unfolds practically in real time, which amps up the tension but allows for no mistake with costume.…
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Marilyn Manson | Clothes on Film
Beetle Juice was a wakeup call; the so-called ‘goth’ look had been dragged out from obscurity and put on to the big screen. Lord Christopher Laverty Comments Off on Dual Analysis: Beetle Juice – KB’s Thoughts 31 May ’13 4 Nov ’09 9 Sep ’11
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horn-rimmed spectacles | Clothes on Film
From The Observer, Bill Nighy lists five things he knows about style. Lord Christopher Laverty 3 Comments 20 Jan ’11 22 Oct ’10 27 Feb ’10
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Daniel Orlandi | Clothes on Film
There has been an insane amount of discussion online about Bryce Dallas Howard’s character, Claire Dearing, since the release of Jurassic World (2015, costume designed Daniel Orlandi), mostly concerning the ‘running in heels’ sequences. I felt it would be interesting to take a broader look at the costumes of the female leads in both the original Jurassic Park (1993, costume supervised by Sue Moore) and Jurassic World and contrast in the characters. Dr Ellie Sattler the Paleobotanist as played by Laura Dern in the original movie is a hugely underrated feminist action hero. She is allowed to be clever, brave, practical and physical yet display ‘feminine’ traits at the same……