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    Brigitte Auber | Clothes on Film

    This coral pink ensemble encompasses and challenges the absolute femininity of Grace Kelly. Lord Christopher Laverty 5 Comments 4 Jan ’11 19 Aug ’09 16 May ’11 This is the most fun and elaborate outfit Grace Kelly wears in To Catch a Thief. Lord Christopher Laverty 8 Comments 4 Jan ’11 19 Aug ’09 9 Dec ’14

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    festival | Clothes on Film

    “We are stardust, we are golden”, sang Joni Mitchell of the Woodstock Music and Art Fair, held August 15-18th 1969, at a dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel, New York. The irony was, she wasn’t even there. A further irony follows in that whilst a myriad of psychedelic colours are synonymous with the Woodstock nation, one of the most revered choices of dress, clearly shown in the documentary Woodstock (1970) is a simple white leather fringed lace-up tunic-style vest and bell bottom trousers. It is worn by one of the first female rock stars, the lead singer of Jefferson Airplane,…

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    The Birds | Clothes on Film

    Author Caroline Young has just released a fascinating new book entitled Hitchcock’s Heroines (published by Insight Editions). It celebrates and studies the women in Hitchcock movies; their influence, semblance and iconography. What’s more, Young also examines the role costume design plays with these women, both the characters and the actresses who played them, and how they can be interpreted as far more than just ‘icy blondes’. Here we have an extract of the book exclusively for Clothes on Film: Kim Novak’s grey suit the colour of San Francisco fog in Vertigo, Grace Kelly as the too-perfect woman in Rear Window, and Janet Leigh’s black and white sets of underwear to……

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    Hollywood Costume | Clothes on Film

    No round up last week because we were a bit busy, so this week is MEGA JAMMED WITH COSTUME GOODNESS. Puttin’ on the Glitz We teamed up with Amber Jane Butchart and The British Library to talk jazz age fashion and dandy gangsters. Further coverage to follow… Costume Test Images 50 of them to be precise, from Gentlemen Prefer Blondes to Star Wars, Batman, and beyond. Noah Mad good interview/article by Tyranny of Style with Noah’s Head Textile Artist Matt Reitsma. There is absolutely no way you can care about costume design and not read this. Business of Fashion Costume designers, fashion designers, studios, brands, and a business venture 100……

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    Laurie Metcalf | Clothes on Film

    Internal Affairs (1990) is an excellent stone cold thriller. The costumes are a subtle tease, revealing personal information that the characters never say out loud. Like many movies released in the late 1980s/1990s, Internal Affairs radiates uneasiness caused by shifting societal attitudes – anything that threatens a straight male chauvinist black-and-white world. Costume designer Rudy Dillon punches through this black-and-white world with ensembles that poke fun at the status quo and subsequently subvert them with eroticism, perhaps ironically using only a colour scheme of black and white. The straight white male chauvinist is Dennis Peck (Richard Gere), a police officer in Los Angeles who controls his colleagues by involving them……

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    Recreating the Levi Spring Bottom Pants Advert from 1905 | Clothes on Film – Part 35185

    Levi’s® Spring Bottom pants are a most fascinating garment. Introduced in 1889 they are essentially jean trousers intended for Victorian (and later Edwardian) gentlemen. This is the first time Levi’s had focused their products on such an audience. Previously their stock in trade was miners and loggers, but this was a very early attempt by the company to branch out. Spring Bottom pants are a classic item of denim history, yet most folk have probably never heard of them. With this in mind we contacted costume designer Jenny Beavan recently and asked if she would consider putting them in the next Sherlock Holmes film. No-one was paying us to do…

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    Film Review: Risky Business | Clothes on Film

    Starring: Tom Cruise, Rebecca De Mornay, Joe Pantoliano Directed By: Paul Brickman Ploddingly paced and dull, Risky Business (1983) is a comedy so devoid of fun as to actually be depressing. Tom Cruise shows star potential, though to assume in 1983 he could mature into one of the most bankable actors on the planet would require a serious leap of faith. He is quietly outshone by co-star Rebecca De Mornay, yet being as her performance is composed and sultry, but as a scheming hooker not even slightly believable, this makes Cruise’s future achievements all the more commendable. Neither actor plays a character easy to warm to. Cruise as high-schooler Joel…