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    Christine Wada | Clothes on Film

    The votes have been counted, the prizes dished out… Who might win for costume design at the Orange BAFTA Film Awards? Here’s our round-up of the big three costume design award nominations. With exclusive insight from Leesa Evans, Clothes on Film takes an overview look at the art of comedic costume in Bridesmaids.

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    After Earth: Costume Designer Amy Westcott Explains Life Suit | Clothes on Film – Part 32031

    After Earth is Amy Westcott’s first attempt at a sci-fi feature. Her M.O tends to be contemporary costume, such as The Wrestler (2008) and award winning work on Black Swan (2010). But even then she seeks out subtext amongst typical genre interpretation. Black Swan for example is a psychological horror whereby costume reflects the inner workings of the protagonist’s mind so actually becomes part of the narrative. After Earth is similar in this respect because the film’s primary ensemble, the ‘life suit’ worn by Kitai Raige (Jaden Smith) is synthetic in construction yet organically synched with the human body. Without his suit, Kitai could not survive Earth’s hazardous environment; his…

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    Burlesque | Clothes on Film

    Surely we all know Michael Kaplan by now? Flashdance (1983), Fight Club (1999), Burlesque (2010), Star Trek (2009), and the biggest of the big, Star Wars: The Force Awakens. Versatile is not a generous enough word for his talent; he is literally one of the best in the business, as his CDG (Costume Designers Guild) nomination for Star Wars goes some way to proving. I spoke to Mr Kaplan just after Christmas about his work for The Force Awakens, but due to unforeseen circumstances (basically Clothes on Film HQ flooding), this interview is only being posted now. Still much to enjoy though, and plenty of costume titbits to sift through.……

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    National Treasure | Clothes on Film

    Judianna Makovsky demonstrates that contemporary fashion with a plot is far more fun than a flick through Vogue. Carice van Houten is a Resistance beauty of Jean Harlow-esque proportions in an unmissable red halterneck dress. If you like Potter, you are going to like this. Cannot say fairer than that.

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    scarf | Clothes on Film

    If you have played The Last of Us on Playstation 3 it has likely ruined video gaming for you. The world created is so vivid and believable that every game afterward just feels dated and empty. Throughout, The Last of Us is unwaveringly real, full of seemingly inconsequential details such as every weapon or object you carry being attached or able to fit into your character’s backpack. Contrast this with Grand Theft Auto V where a rocket launcher appears out of your trouser pocket and it’s clear that if game developers really want to create a living, breathing parallel to reality they need to treat it as reality – no……

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    Anne Hathaway | Clothes on Film

    MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge suit, women’s clothing has a lot more avenues and possibilities. In addition to colour and pattern there is shape and form, which can vary dramatically for the fashionable wearer. What can vary dramatically can also date dramatically and this can be major stumbling block for costume designers. Films centred around the world of fashion, or those that include a lot of fashionable garments such as The Devil Wears Prada (2006), Clueless (1995) and Funny Face……

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    Caroline McCall | Clothes on Film

    The week in costume stories and links. FIDM Gorgeous costumes on display from 2013 released movies. Tyranny of Style takes you there… Some more good FIDM photos at Frocktalk. Downton Abbey Insightful gallery notes by costumer Caroline McCall. Sure, baby boys in the early 1920s would’ve worn a dress, but that would definitely have confused viewers. How Wool is produced for Fabric Riveting Costume Cafe podcast with Franny Kansteiner of Gum Tree Farm and Organic Wool Works. Costumer of Awesome Second shout for this beyond hilarious, gif heavy tubmlr by an (unnamed) costume designer currently working in the business. The Walking Dead Another thorough interview with costume designer Eulyn Womble,……

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    Dinah Collin | Clothes on Film

    Daphne du Maurier‘s original novel My Cousin Rachel apparently does not specify the exact period in which it’s set, but implies some time toward the end of the 19th century on the Cornish coast. This new version of the story starring Rachel Weisz and Sam Claflin actually positions itself in a specific time frame, as decided upon by director Roger Michell and costume designer Dinah Collin, namely the year 1840. We have an exclusive featurette about the costume design of My Cousin Rachel, which although brief goes into some detail about what to expect from the finished film: What is most fascinating is just why 1840 was chosen. It was……