If there is a more joyous film this year, we haven’t seen it. Clothes on Film talk exclusively to costume designer of The Artist, Mark Bridges.

Here’s a bit of justified promotion for an event you will absolutely want to see: fashion historian, DJ for Jazz FM, author and Clothes on Film contributor, Amber Jane Butchart, teams up with your very own editor, Christopher Laverty, for an exquisite evening entitled Puttin’ on the Glitz on 28th March in London. Taking place at the sumptuous, gorgeous, you-really-should-have-been-there-by-now British Library, Amber and Christopher present two separate talks pertaining to the 1920/30’s Jazz Era before coming together to answer questions from the audience. After that, there will be cocktails and period frivolities courtesy of The Vintage Mafia. It all starts at 6.30 pm and finishes around 10.30, so plenty……

The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.

The near future romance Her, written and directed by Spike Jonze, whose widely diverse resume ranges from the world of music videos to MTV’s Jackass to major motion pictures, brought together a creative team that costume designer Casey Storm refers to as “friends first, and co-workers second.” Storm and production designer K.K. Barrett create a soft, comfortable world of tomorrow. Shot on location around Los Angeles and Shanghai, Barrett avoided familiar locations to create a world that is accessible but not overtly recognisable. Our first introduction to the world feels very familiar. Seated in an office in a simple button up, Joaquin Phoenix’s character, Theodore Twombly, dictates a letter to…

When you are costuming the biggest franchise release of the year and creating a capsule range to run alongside it for a major online retailer, it is clear a normal approach to the task is not going to work. Ex-stylist and one time assistant for Michael Kaplan, Trish Summerville, one of the fastest rising names in the industry, has purposely sought out what many costume designers shy away from: co-collaborations with new and established fashion designers and, in several cases, pulling clothes directly from the runway. Summerville is smart and savvy with a feel for contemporary trends, though by not designing and making key items for The Hunger Games: Catching……

Costume stories for the festive season. Shame that none of these have anything to do with Christmas. Bronx Bombers on Broadway Let’s all go to the theatre.Tyranny of Style has published an eye-opening interview with Bronx Bombers costume designer David C. Woolard. Having worked in theatre first hand, CoF got just a little bit nostalgic. The Innocents (1961) GORGEOUS gothic costume sketches. Patia Prouty Banshee and Justified’s costume designer talks about her work on both shows in this superb interview for True To Me Too. Punch-Drunk Love Girls Do Film get all caught up in colour. American Horror Story Lou Eyrich left Glee to costume killer nuns and aliens. She…

Costume stories for the festive season. Shame that none of these have anything to do with Christmas. Bronx Bombers on Broadway Let’s all go to the theatre.Tyranny of Style has published an eye-opening interview with Bronx Bombers costume designer David C. Woolard. Having worked in theatre first hand, CoF got just a little bit nostalgic. The Innocents (1961) GORGEOUS gothic costume sketches. Patia Prouty Banshee and Justified’s costume designer talks about her work on both shows in this superb interview for True To Me Too. Punch-Drunk Love Girls Do Film get all caught up in colour. American Horror Story Lou Eyrich left Glee to costume killer nuns and aliens. She…

The first full-length trailer for Disney’s new live-action adaptation of Cinderella was this week and featured tantalising glimpses of what promises to be a visually gorgeous film. The costumes, designed by three time Academy Award winner Sandy Powell, appear to be absolutely stunning. With a clever mix of the eighteenth century, the 1830s, and a little 1950s couture thrown in for good measure (Powell has been quoted as saying she was aiming for the look of “a nineteenth-century period film made in the 1940s or ’50s”), Powell has created another jewel to add to her already over-bling crown. Here is a quick rundown of some of the looks we’ve been……

Joanna Johnston chats about her work on Lincoln and what we can we can expect from her latest project Jack the Giant Slayer. Lord Christopher Laverty 1 Comment 27 Apr ’12 23 Oct ’12 1 Feb ’13 Clothes on Film had an exclusive conversation with costume designer Joanna Johnston about her work on War Horse. Lord Christopher Laverty 1 Comment 3 Jun ’11 19 May ’09 23 Mar ’10

A look at late Margaret Thatcher’s colour specific wardrobe as represented in the film The Iron Lady. More clip than teaser trailer, but Meryl Streep certainly does look the part. With exclusive insight from Leesa Evans, Clothes on Film takes an overview look at the art of comedic costume in Bridesmaids.