MINOR SPOILERS At a pivotal juncture during the Fathers & Sons episode of Godless (2017), the camera tracks into a pink ribbon tied on the back of young woman’s hair; a woman who is suffering from the onset symptoms of smallpox and unlikely to find recovery. Later in the episode we pan across dozens of freshly dug but unnamed graves each with it’s own crucifix. We don’t see the woman again, but on one of the crucifixes is tied a pink ribbon. Such is the power of even the slightest costume and accessory details in Godless, the narrative is informed by their very presence. Costume designer for Godless was Betsy…

Two weeks of costume stories. Sheena Napier DTSFT cover this prolific costume designer’s chat at the V&A. And if you’ve not heard of Ms Napier we’ll just say: Backbeat, Poirot, Enchanted April. Sandy Powell Nice rundown of Ms. Powell’s Young Victoria event at the Getty Center. Lauren Fonville guest posts for Frocktalk. Wendy Benstead The costumer for stage and screen talks to Guise about her career so far, from sewing on her old Bernina to dressing Paloma Faith. We’ve met Wendy and she’s lovely. Debbie Reynolds Auction The Finale. Still time to sell your car, house, spouse. 14 Worst Movie Trainers Actually like most of these. Captain America: The Winter……

Director Brian Helgeland’s Legend (2015) tells the based-on true story of Ronald and Reggie Kray: twins (both played by Tom Hardy), East End boys, racketeers, murderers, icons. The Krays were shaped during the 1960s, a post World War II boom for England. They came to symbolise the smartly dressed gangster for a new youth-orientated generation. They had money and they wanted to flaunt it – and that meant suits and a lot of jewellery. Costume designer for Legend, Caroline Harris, boasting over 20 years experience in both film and television with credits such as Mr Nice (2010), Red Riding (2009) and Fleming (2014), here chats exclusively to Clothes on Film……

A quiet week for costume. Game of Thrones New costume and props exhibition to travel around the world. No dribbling over the embroidery, but you can sit on the Iron Throne. …and check out Daenerys’ ‘hot new dress’ in this video featurette at The Mary Sue. Avengers: Age of Ultron Another day, another superhero story. Possibly a few early clues about freshly cast Paul Pettany’s costume. Silent Witness We’ve just stumbled across this article, probably from the early 2000s, that neatly demonstrates what costume designers have to put up with when stars of popular drama series’ overindulge. The 22nd Annual Art of Motion Picture Costume Design Exhibition Actual costumes from……

Starring: Kara Hayward, Jared Gilman, Bruce Willis Directed By: Wes Anderson Costume design is an increasingly essential fixture in Wes Anderson’s films, fitting then that Moonrise Kingdom is his most sartorially significant picture so far. His first time collaboration with Kasia Walicka Maimone has yielded a pop culture retrospective of mid-1960s trends, with vibrant colour at the crux of revealing character. Period and setting research alone is extraordinary. The predominantly homemade costumes are sixties authentic; an eye-popping collection of loud trousers, knee socks, two-tone oxfords, hostess dresses with peter pan collars and khaki boy scout uniforms (the mind boggles at how long it must have taken to sew all the…

Directed by: Mike Newell Starring: Jake Gyllenhaal, Gemma Arterton, Ben Kingsley Ridiculous, colourful, cringeworthy and loud enough to make a roadie wince, Prince of Persia has nearly all the ingredients to be the new Pirates, and it just about cooks up a hit. What might fail to initially register with Prince of Persia: The Sands of Time is the extraordinarily detailed costume design by Penny Rose. This is mainly because for the most part the film is good at its job. Thanks to Mike Newell’s fidgety direction, it moves at such a pace that clothes become part of the fabric as it were. For example, who would know that shady…

The top half of Ben Affleck’s new Batsuit has been revealed, as created by costume designer Michael Wilkinson for the barely in production Batman vs. Superman. At first this black and white Bats looks kind of pettable, thanks to those smaller, kittenish bat ears. However getting in closer the suit is far more visceral than Lindy Hemming’s version for director Christopher Nolan. It actually resembles a (very buff) human body stripped of its skin. Closer look at top half of the new Batsuit with contrast lightened slightly. Nolan is where most comparisons will be drawn; his Batman is still the benchmark in cinema, and while director Zach Snyder is less…

Man of Steel costume designer reveals fascinating insight about the film. Superman’s new costume is underwear with a cape.

For what is certainly the best remembered costume in Saturday Night Fever (1977), John Travolta as Tony Manero wears a brilliant white 3-piece suit to dazzle the disco dance floor. His look defined an era: smart, yet somehow scruffy; classy yet somehow cheap. To keep costs down the film’s director John Badham insisted costume designer Patrizia von Brandenstein procure all outfits off the peg and not make them from scratch. Furthermore this added to realism as Tony could never have afforded bespoke. Interestingly despite the pristine first appearance of Tony’s suit it never really looks clean. Just like the disco scene itself his costume is sullied from the sweaty self-indulgence…

It’s Academy Award nomination day so let’s have a look at the line up. We have to warn you though; there are a couple of upsets. First has to be that Zoe Saldana was not nominated in the Best Actress category. Guess computers and humans and acting and awards do not yet mix. Still, thanks to Saldana’s emotive performance in Avatar, surely now the debate has been properly opened? Second upset is no Best Costume Design nomination for George Little (The Hurt Locker), Mayes C. Rubeo and Deborah Lynn Scott (Avatar) or Margot Wilson (The Road). Seems it is still the case that to be noticed by the Academy, in…