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    Richard Hornung | Clothes on Film

    Second and final part of our retrospective of The Grifters with insight from Mark Bridges. Lord Christopher Laverty Comments Off on The Grifters: Be Careful What You Wear – Part 2 2 Oct ’18 6 Sep ’10 15 Apr ’13 First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges. Lord Christopher Laverty 1 Comment 7 Feb ’14 6 Sep ’10 6 Feb ’17

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    Thierry Mugler | Clothes on Film

    Second and final part of our retrospective of The Grifters with insight from Mark Bridges. Lord Christopher Laverty Comments Off on The Grifters: Be Careful What You Wear – Part 2 8 Jul ’10 7 Jun ’10 20 Mar ’12 First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges. Lord Christopher Laverty 1 Comment 25 Sep ’18 2 Apr ’12 20 Mar ’12

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    The Mission: Jeremy Irons’ Linen Shirt | Clothes on Film

    Produced by acclaimed filmmaker David Puttnam, The Mission (1986) is an epic 18th century set tale of Spanish Jesuits who travel into the South American jungle to protect an Indian tribe from virtual extinction under the Treaty of Madrid (the formation of what we now call Brazil). Jeremy Irons plays one of these adventurous Jesuit priests, tough but mild mannered Father Gabriel. During the film’s first act, as Gabriel undertakes a death defying waterfall climb to reach the Indian tribe, he wears a classic example of early extreme sports attire – a plain linen shirt: Natural linen open-neck shirt with long sleeves. Turn down outer collar and internal stand collar,…

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    Interview with 47 Ronin Costume Designer Penny Rose | Clothes on Film

    Where to start with Penny Rose? Pirates of the Caribbean? Evita? King Arthur? Most recently of course 47 Ronin (directed by Carl Rinsch). You do not hire Penny Rose for something small. This is not to say she won’t work on independent and low budget projects, just that her CV is becoming increasingly packed with huge scale period and/or fantasy studio movies – basically the kind of pictures that would make most costume designers weep. Multiples, armour, uniforms, plus Ms. Rose practically always builds from scratch. Not a fan of ‘shopping’ or even slightly interested in fashion, Penny Rose is old-school hands on, no-nonsense and no fear. Nonetheless, there is…

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    Michael Kaplan Talks Mission Impossible – Ghost Protocol | Clothes on Film

    Costume designer for Mission: Impossible – Ghost Protocol, Michael Kaplan, talks us through his choices and intentions for clothing in the film. Prepare to be disappointed if you want Tom Cruise’s blue silk suit worn in Dubai; it was custom made by Mr. Kaplan himself. At least Cruise’s Persol sunglasses are available to buy, however. Michael Kaplan is a powerhouse force in costume design. He is guaranteed to have worked on at least one Hollywood movie you fondly remember from the last twenty years or so. If in doubt consider he designed Samuel L. Jackson’s pimp ensembles for The Long Kiss Good Night (1996) and Randy Quaid’s bad taste brilliance…

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    Costume Stories, This Week: Catching Fire and Downton Abbey | Clothes on Film

    Oi! Costume! The Fifth Element Jean Paul Gaultier’s original costume for when Prince was cast as outrageous Ruby Rhod. The Hunger Games: Catching Fire A few more words with Trish Summerville about one of the most anticipated costume films of the year. Downton Abbey Caroline McCall discusses challenges of working on the show. Noticed all the purples and blacks worn by Lady Mary this season? That’s because she is still in mourning. Catching Fire Jennifer Lawrence wanted to wear “everything” apparently. Understandable from what we’ve seen of the costumes so far. Video: Ms Summerville explaining even more about those Katniss and co costumes. Exciting, exciting… Costume Cafe Podcast Lauren Delany…

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    power dressing | Clothes on Film

    Filmmaker and costume designer Sophie Black recounts her personal interpretation of Heathers, a film defined by vivid visual interpretation. It is just a coincidence that the first time I saw Michael Lehmann’s Heathers (1988) was within hours of the first time I saw David Lynch’s Blue Velvet (1986), and I immediately made comparisons between the two films which I may have not noticed otherwise. More people are quick to compare Heathers to the work of Tim Burton, because of the associates he had on the film (producer Denise Di Novi and star Winona Ryder, to name but two) and the fact that the candy-coloured suburban setting mirrors that of Edward……