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    Clothes on Film | Screen style & identity – Part 8

    In the very opening scene of Rocky (1976, costume designer Robert Cambel), we see the title character in the ring, bare chested, hands encased in boxing gloves, the picture of sporting violence and masculinity. But[…] That’ll do, costume. That’ll do. Captain America: The Winter Soldier Hello Tailor is stealing away your life with her rundowns of this mildly popular comic book movie. Not all are costume based, though all are[…] A fortnight ago to the day, Clothes on Film creator and editor Christopher Laverty joined fashion historian Amber Jane Butchart to give one of two talks and a Q&A chat at The British Library in[…] No round up last week…

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    towelling | http://clothesonfilm.net

    This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers[…] The following is an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore[…] The blue towelling playsuit in Goldfinger is typically remembered as Bond’s one sartorial disaster. Yet it might be worthy of reconsideration. Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use. To…

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    Clothes from 1837-1919 | http://clothesonfilm.net – Part 2

    Clothes from films set during Victorian/Edwardian era to post war We chat to costume designer Gary Jones about his work on Oz the Great and Powerful. Lucinda Wright talks costume in The Suspicions of Mr Whicher: The Murder in Angel Lane. Oz is here and as far as fantasy costume is concerned, you are in for some surprises. Joanna Johnston chats about her work on Lincoln and what we can we can expect from her latest project Jack the Giant Slayer. The biggest compliment that can be paid to Joanna Johnston’s costumes in Lincoln is that you will hardly notice them. Costume designer Jacqueline Durran discusses her unusual approach for…

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    The Bloody Sartorialist: Christian Bale in American Psycho | http://clothesonfilm.net – Part 33689

    American Psycho (2000, costume designer Isis Mussenden) is a late 1980s set film that highlights the importance placed on external appearance and the disparity that can lie between this and the true nature of a person. The ‘Psycho’ of the title, Patrick Bateman (played by Christian Bale) is outwardly flawless. He has an extreme and involved personal beauty regime, consisting of special shampoos, body washes, face masks and scrubs, complemented by a strict diet and exercise plan that he completes daily and without fail. He believes in looking after himself – or at least his external self. Beneath this perfectly glossy exterior is emptiness – a lack of humanity, of…

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    Ads – http://clothesonfilm.net

    As a Handpicked blog, Clothes on Film can accommodate Leaderboard ads (728×90), MPUs (max 468px), columns (160×160) and takers. Just ask. For advertising enquiries contact [email protected] To understand why you should advertise with Clothes on Film, definitely swing by the PRESS section. And here is a note about ‘cookies’, which the law says I have to put here even though you most likely know it already: What are cookies? ‘Cookies’ are small pieces of information that a website sends to your computer’s hard drive while you are viewing a website. How does this site use cookies? Tracking/user analysis cookies. This allows me to see how many people are visiting this…

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    Prometheus: Exclusive Interview with Costume Designer Janty Yates | http://clothesonfilm.net – Part 25959

    Janty Yates, costume designer for director Ridley Scott’s long-awaited sci-fi prequel Prometheus, is multi-award nominated and an Oscar winner for Gladiator (2000). She almost always collaborates with Scott (they have made seven pictures together and counting), but has an impressive catalogue of stand-alone work including Jude (1996), Plunkett & Macleane (1999) and Miami Vice (2006). Clothes on Film caught up with Ms. Yates for an exclusive chat about the space suits and fatigues in Prometheus, which she describes as containing some of her proudest work since Gladiator. SPOILER WARNING: We suggest only reading this after you have seen the film. Clothes on Film, Chris: What was the costume brief for…

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    Sean Connery in Dr. No: The Template For 007 | http://clothesonfilm.net

    Matt Spaiser, creator of excellent blog The Suits of James Bond analyses the world’s sharpest spy in the film that started it all – Dr. No. James Bond has most likely influenced people’s suit-wearing habits more than any other fictional character has. Dr. No (1962, directed by Terence Young) established the classic look for the character for the many films that followed. Throughout Dr. No, Sean Connery wears five unique tailored ensembles. Each outfit is simple, classic and worthy of imitation. The idea was to put Bond in suits that were distinctly British, but keep things simple because a secret agent should never stand out. Yet because of this simplicity,…