Uncategorized
-
Body of Lies: Mark Strong in Huntsman | Clothes on Film – Part 6132
Mark Strong as Hani Salaam is sole sartorial encouragement in Body of Lies (2008), a movie choc full of (intentionally) awful clothes. With headliners Leonardo DiCaprio and Russell Crowe dressed inconspicuously as possible, DiCaprio in tracksuit bottoms and untucked shirts and Crowe entirely in Target, Strong’s razor-sharp Jordanian intelligence chief is granted ample opportunity to shine. HANI SALAAM (as CIA man ROGER FARIS grabs him by the arm)
-
Kramer vs. Kramer: Meryl Streep in a Burberry Trench Coat | Clothes on Film – Part 27896
Kramer vs. Kramer (1979) is costume symbolic of its era; the entire film is filtered through a composite mix of tan and beige. Director Robert Benton opted for a permanent autumn in New York City, artistically maintained through its year long storyline. Autumn is interpretable as a transitional season, reflecting the three act journey of the three central characters. Costume designer Ruth Morley dresses Meryl Streep’s absentee mother Joanna head-to-toe in various shades of brown. Joanna’s appearance is regimented by control and routine, and nearly always finished by that epitome of late 1970s chic and impending yuppiedom, a three quarter length Burberry trench coat. Confirmation of the Burberry trench functioning…
-
X-Men: Days of Future Past Pics – 1973 Xavier, Hank & Logan | Clothes on Film – Part 31287
Director Bryan Singer has tweeted a revealing photograph of James McAvoy in costume as Charles Xavier on set of X-Men: Days of Future Past. UPDATE (13/05/13): And now he has added another pic, this time of Nicholas Hoult as Hank McCoy and Hugh Jackman as Wolverine. Days of Future Past is based on an Uncanny X-Men story published in 1981; part of the story takes place during 1973, part in the future as the original X-Men cast zip through time to stop the world being attacked by mutant sentinels. Xavier seems to be nursing a hippie hangover in this photo, somewhat reminiscent of a scruffier John Tavolta in Saturday Night…
-
Running Scared: Costume Designer Kristin Burke – Part 2 | Clothes on Film – Part 8673
Part two of our chat with costume designer for Running Scared (2006), Kristin M. Burke. If you thought part one was interesting, this will blow your socks off. Chris, Clothes on Film: Regarding the ‘beefy dudes’ in Running Scared that you mentioned, they did all look massive on screen; it was like their clothes made them intimidating, especially ‘Mac Daddy’ pimp Lester (David Warshofsky). He is clearly dressed OTT and this suits his character and the tone of the film perfectly. How much do you know about the intended tone of a film when you start on the costumes? Kristin Burke: Man, that Lester the Pimp story is epic. I…
-
Review: War Horse | Clothes on Film – Part 24125
Starring: Jeremy Irvine, Emily Watson, Peter Mullan Directed By: Steven Spielberg War Horse is desperately pretty, sentimental and heartfelt to the point of exhaustion. In other words the return of late 1980s, very early 90’s schmaltzy Spielberg. Whether this is something to celebrate or lament we shall leave up to you. Steven Spielberg shoots through the eyes of a talented illustrator. Filthy trenches, plumes of poison gas, a disastrous Calvary charge; all as beautiful as they are horrific. Add in the continuous swell of John Williams’ score and cinematographer Janusz Kaminski‘s yolky sunsets (no cgi) and War Horse is every frame a Spielberg movie. Not subtle, the final act or…
-
Dual Analysis: Beetle Juice – Chris' Thoughts | Clothes on Film – Part 6023
Part one of a new Dual Analysis costume film review. Attesting that upbeat and silly often go hand in hand, Beetle Juice (1988) stands as one of director Tim Burton’s most cheerfully insane projects. If its blend of fantasy, horror, comedy proves too much for some, then the imaginative costumes by Aggie Guerard Rodgers and Bo Welch’s vibrant production design save the film from merely a cult following. Yet there is so much to see in Beetle Juice that the real enjoyment comes from re-viewing. This spooky tale revolves around the recently deceased Maitlands, Adam (Alec Baldwin) and Barbara (Geena Davis). Just coming to terms with dying and forced to…
-
Clothes on Film's 2011 Costume Design Round Up | Clothes on Film – Part 23631
By no means intended as an exhaustive list, Clothes on Film ponder an overview of 2011 in costume. Concentrating on mainstream fare that those outside of big cities are likely to have seen, we consider which costumes delighted, surprised and best of all, enlightened us. Expect to spot Drive, Melancholia and Hugo on this list somewhere. Costume encompasses every item of clothing worn on film. By strict definition costume is not ‘wardrobe’; wardrobe is what Oprah Winfrey wore on her talk show. While at Clothes on Film we embrace all forms of costume, we do have a slight bias for contemporary, although only because it is often underrepresented in the…
-
Rear Window: Grace Kelly's Celadon Green Suit | Clothes on Film – Part 1364
While still alluring, as practically anything is on Grace Kelly, this is perhaps her least successful outfit overall from Rear Window (1954, as Lisa Fremont). The jacket seems slightly too long and loose for the slenderness of the skirt; it doesn’t fit Kelly’s figure as comfortably as it might. However even with its faults the suit still reflects a vital side of Lisa’s complex personality: her professional, tailored femininity. Celadon green midi-length jacket with stand up collar, likely shantung-silk and trimmed in tulle, no buttons, white satin contrast lining, ¾ Length sleeves and sloping round shoulders. Influences for shape and style can be attributed to Cristóbal Balenciaga (soft round shoulders)…
-
Realism through Identity: Clothing in The Last of Us | Clothes on Film – Part 33604
If you have played The Last of Us on Playstation 3 it has likely ruined video gaming for you. The world created is so vivid and believable that every game afterward just feels dated and empty. Throughout, The Last of Us is unwaveringly real, full of seemingly inconsequential details such as every weapon or object you carry being attached or able to fit into your character’s backpack. Contrast this with Grand Theft Auto V where a rocket launcher appears out of your trouser pocket and it’s clear that if game developers really want to create a living, breathing parallel to reality they need to treat it as reality – no…
-
Costume Stories, This Week: Inside Llewyn Davis & Mockingjay | Clothes on Film – Part 34618
This week you may have missed… Ingenious Costume Design Good list from Rebecca Clough at Den of Geek of ingenious movie costume design. And while we’re about it, congratulations to another of their regular writers, Ryan Lambie, for his FDA Richard Attenborough Blogger of the Year Award. Inside Llewyn Davis Kristin M. Burke has a chat with the Coen brothers’ regular costume designer Mary Zophres. The Hunger Games: Mockingjay Part 1 Trish Summerville out, Kurt & Bart in for the third Hunger Games movie. Odd after Summerville being such a successful choice, but we get the feeling this is most intentional. Cash hungry producers have realised Katniss’ costume designers are…