© 2013 Contributor. All rights reserved. By: ContributorFiled under Clothes from 1837-1919, Clothes from 1950s, Girls in Films, Guys in Films, Interviews, Premium. Tagged 1870s, 19th century, Academy Award, Anna Karenina, Atonement, BAFTA, Chanel, Clothes from 1950s, couture, crinoline, Dior, fur, interview, Jacqueline Durran, Joe Wright, Karin E Baker, Keira Knightley, milliner, Oscar, Premium Content, Pride and Prejudice, Russia, V&A, veil. Bookmark the permalink. Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading

© 2013 Contributor. All rights reserved. By: ContributorFiled under Clothes from 1837-1919, Clothes from 1950s, Girls in Films, Guys in Films, Interviews, Premium. Tagged 1870s, 19th century, Academy Award, Anna Karenina, Atonement, BAFTA, Chanel, Clothes from 1950s, couture, crinoline, Dior, fur, interview, Jacqueline Durran, Joe Wright, Karin E Baker, Keira Knightley, milliner, Oscar, Premium Content, Pride and Prejudice, Russia, V&A, veil. Bookmark the permalink. Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading

© 2013 Contributor. All rights reserved. By: ContributorFiled under Clothes from 1837-1919, Clothes from 1950s, Girls in Films, Guys in Films, Interviews, Premium. Tagged 1870s, 19th century, Academy Award, Anna Karenina, Atonement, BAFTA, Chanel, Clothes from 1950s, couture, crinoline, Dior, fur, interview, Jacqueline Durran, Joe Wright, Karin E Baker, Keira Knightley, milliner, Oscar, Premium Content, Pride and Prejudice, Russia, V&A, veil. Bookmark the permalink. Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading

© 2013 Contributor. All rights reserved. By: ContributorFiled under Clothes from 1837-1919, Clothes from 1950s, Girls in Films, Guys in Films, Interviews, Premium. Tagged 1870s, 19th century, Academy Award, Anna Karenina, Atonement, BAFTA, Chanel, Clothes from 1950s, couture, crinoline, Dior, fur, interview, Jacqueline Durran, Joe Wright, Karin E Baker, Keira Knightley, milliner, Oscar, Premium Content, Pride and Prejudice, Russia, V&A, veil. Bookmark the permalink. Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading

© 2013 Contributor. All rights reserved. By: ContributorFiled under Clothes from 1837-1919, Clothes from 1950s, Girls in Films, Guys in Films, Interviews, Premium. Tagged 1870s, 19th century, Academy Award, Anna Karenina, Atonement, BAFTA, Chanel, Clothes from 1950s, couture, crinoline, Dior, fur, interview, Jacqueline Durran, Joe Wright, Karin E Baker, Keira Knightley, milliner, Oscar, Premium Content, Pride and Prejudice, Russia, V&A, veil. Bookmark the permalink. Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading

© 2011 Lord Christopher Laverty. All rights reserved. By: Lord Christopher LavertyFiled under Girls in Films, Guys in Films, Interviews. Tagged costume design, damask, Emmy, interview, Joan Bergin, Jonathan Rhys Meyers, middle ages, period, Premium Content, Renaissance, ruffs, television, The Tudors, video. Bookmark the permalink. Video: Clothes on Film chat exclusively to costume designer Joan Bergin about her extraordinary work on The Tudors. Continue reading

© 2011 Lord Christopher Laverty. All rights reserved. By: Lord Christopher LavertyFiled under Girls in Films, Guys in Films, Interviews. Tagged costume design, damask, Emmy, interview, Joan Bergin, Jonathan Rhys Meyers, middle ages, period, Premium Content, Renaissance, ruffs, television, The Tudors, video. Bookmark the permalink. Video: Clothes on Film chat exclusively to costume designer Joan Bergin about her extraordinary work on The Tudors. Continue reading

© 2013 Lord Christopher Laverty. All rights reserved. Costume designer Jacqueline West talks exclusively to Clothes on Film about her period recreation work on Ben Affleck’s Oscar favourite Argo. Continue reading © 2013 Lord Christopher Laverty. All rights reserved. Joanna Johnston chats about her work on Lincoln and what we can we can expect from her latest project Jack the Giant Slayer. Continue reading © 2013 Lord Christopher Laverty. All rights reserved. The biggest compliment that can be paid to Joanna Johnston’s costumes in Lincoln is that you will hardly notice them. Continue reading © 2013 Lord Christopher Laverty. All rights reserved. The glossy costume world of gangster squad is…

© 2011 Lord Christopher Laverty. All rights reserved. Clothes on Film editor, Chris Laverty discusses the costumes of Mildred Pierce for filmed HBO Sessions. Continue reading © 2011 Lord Christopher Laverty. All rights reserved. Disney has just released a new international trailer for Brave. Delightful, it is. Continue reading © 2011 Contributor. All rights reserved. Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity. Continue reading © 2011 Lord Christopher Laverty. All rights reserved. Colleen Atwood does it AGAIN. Continue reading © 2011 Lord Christopher Laverty. All rights reserved. Mark Bridges exclusively explains his costume choices for retro epic Boogie Nights. Continue reading © 2011 Lord Christopher Laverty.…

© 2012 Lord Christopher Laverty. All rights reserved. A brief but worthwhile and exclusive clip about the costume design of Boardwalk Empire. Continue reading © 2012 Lord Christopher Laverty. All rights reserved. For HBO Sessions part 2, Clothes on Film editor Chris Laverty was invited to discuss the costume design of Boardwalk Empire. Continue reading © 2011 Lord Christopher Laverty. All rights reserved. By no means intended as an exhaustive list, Clothes on Film ponder an overview of 2011 in costume. Continue reading © 2011 Lord Christopher Laverty. All rights reserved. Hugo is Scorsese’s monument to wonder and excitement. Here Sandy Powell exclusively explains her costume choices to Clothes on…