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The Dark Knight Rises: Costume Q&A with Lindy Hemming | Clothes on Film
Welsh born costume designer Lindy Hemming started her career in the theatre, conceding she hardly watched any movies at all until moving to London. Yet several decades later Ms. Hemming has designed for such hugely successful features as Four Weddings and a Funeral (1994), Harry Potter and the Chamber of Secrets (2002) and won an Academy Award for Topsy Turvy (1999). Of course her tenure with Pierce Brosnan as James Bond (and one for Daniel Craig) is well known, much like her role as Christopher Nolan’s regular costumer for his Dark Knight trilogy. Having long been intrigued by Nolan’s unique vision, particularly after Memento (2000), Ms. Hemming was thrilled to…
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t-shirt | Clothes on Film
Contributor Birdie McAra explores the fantabulously non-male gazey world of Birds of Prey. A new trailer for Daniel Radcliffe’s Guns Akimbo has arrived and it’s hilarious. MINOR SPOILERS For all the inevitable chrysalis transformation of singer Ally (Lady Gaga) during A Star is Born (2018, directed by Bradley Cooper), the most subtle, yet real sartorial reflection of character belongs to her mentor and lover Jack (Cooper). Costumed by Erin Benach (Drive, A Place Beyond the Pines), Jack is the epitome of the casual rock star. Stage wear, day wear, evening wear, drinking wear, sleeping wear – it’s all the same. His simple clothes mask a mind so damaged it can…
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Katie Ellwood | Clothes on Film
We chat to costume designer Caroline Eselin-Schaefer about her work on terrific new Amazon comedy, Troop Zero.
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Savile Row | Clothes on Film
This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. We rejoin Charlie and his ragtag crew at the big meeting when the gang are all introduced to each other. It had to be a Doug Hayward moment and thankfully does not disappoint. In actual fact it is probably Michael Caine’s best fitting suit in the whole movie: Dark blue worsted wool suit; double breasted jacket, wide peaked lapels, 6 on 2 fastening, slanted hip pockets, ticket……
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20th Century Fox at The London Film Museum: Costumes Galore | Clothes on Film
Since 19th July, The London Film Museum has been running an exhibition of props and costumes from 20th Century Fox movies to celebrate the studio’s 75th anniversary. Clothes on Film decided to make a visit, a bit late in the day, but we had a good look round anyway. There were not that many costumes in the Fox exhibition (certainly considering the history of the studio), but the museum itself has plenty more to see. Just to be in the same room as some of these memorable outfits is a thrill, especially from more recent movies where memories are fresh. With this is mind, here is our pick of Fox’s…
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Donna Karan | Clothes on Film
Judianna Makovsky demonstrates that contemporary fashion with a plot is far more fun than a flick through Vogue. Lord Christopher Laverty 4 Comments 29 Oct ’10 15 Sep ’14 18 May ’10 La Femme Nikita re-defines the little black dress on film. Lord Christopher Laverty 2 Comments 11 May ’12 8 Jul ’10 11 Oct ’11 David Lynch has premiered his twelve minute commercial for Lady Dior and it is every bit as ‘Lynch’ as you might expect. Lord Christopher Laverty Comments Off on David Lynch & Marion Cotillard Get Blue For Dior 6 Feb ’17 26 Apr ’11 21 Aug ’13 Hollywood starlet Christina Ricci has featured in a…
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Film Review: The Lovely Bones | Clothes on Film
Starring: Mark Wahlberg, Stanley Tucci, Saoirse Ronan Director: Peter Jackson After directing one of the greatest multi-award winning trilogies ever and remaking his own favourite film in the world, King Kong (2005), Peter Jackson has decided to go back to basics with his interpretation of Alice Sebold’s ‘The Lovely Bones’. The result is reminiscent of Jackson’s earlier work Heavenly Creatures (1995). Both films flit between the imagination and reality of two young girls; The Lovely Bones deals with life, death and the nature of heaven and hell. Set in 1970s Pennsylvania, fourteen year-old Susie Salmon (Saoirse Ronan) is murdered by her neighbour Mr Harvey (Stanley Tucci). Susie then finds herself…
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Meg Ryan in Proof of Life: Hopeless Hippie | Clothes on Film
In Proof of Life (2000), a kidnap thriller set in fictional South American country Tecala, Meg Ryan plays Alice Bowman, one of the least convincing hippies ever committed to film. On Alice, hippie seems like a passing trend rather than a lifestyle choice. Meg Ryan’s costumes are a mix of sarong skirts with embroidery, cotton vests, tie-dyed t-shirts, big belts, linen shirts, waist cincher, leather jacket, waistcoat, sandals, even a matelot sweater. Add in a $300 hairdo with a generous application of lip gloss and Alice Bowman, all in all, looks pretty fresh considering her husband has been trapped in captivity, or quite possibly dead, for several months. Proof of…
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Woman Inherits the Earth: Femininity in Jurassic World | Clothes on Film
There has been an insane amount of discussion online about Bryce Dallas Howard’s character, Claire Dearing, since the release of Jurassic World (2015, costume designed Daniel Orlandi), mostly concerning the ‘running in heels’ sequences. I felt it would be interesting to take a broader look at the costumes of the female leads in both the original Jurassic Park (1993, costume supervised by Sue Moore) and Jurassic World and contrast in the characters. Dr Ellie Sattler the Paleobotanist as played by Laura Dern in the original movie is a hugely underrated feminist action hero. She is allowed to be clever, brave, practical and physical yet display ‘feminine’ traits at the same…
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Bombshell: Below the Belt | Clothes on Film
Bombshell is a below the belt movie. Specifically legs. Even more specifically, shoes. While director Jay Roach does not spend really any time fetishising shoes in the film – no lingering shots of prancing heels or gratuitous leg pans, it is clear that this area of the body is emblematic of how women were objectified by a creepy slug of a man called Roger Ailes (played by John Lithgow), aka former Chairman and CEO of Fox News. Apparently Fox does not actually have an official dress code, in much the same way as vaping does not officially make you look stupid, but as is evident during one telling scene in…