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    How to Read Costume on Film | Clothes on Film

    In this abridged version of a feature originally published in Moviescope magazine in December 2010, Clothes on Film take an overview look at how to ‘read’ costume design. Costume design remains one of the most misunderstood and underappreciated filmmaking arts. Far in excess of merely ‘dressing’ an actor for their role, costume design is discourse. A film can be read via costume; sometimes overtly, sometimes subtextually. Not just conspicuous sci-fi or period, but contemporary stories set within a familiar world in familiar attire. On screen even the most rudimentary item of clothing can take on meaning. 2010 was a boundary crossing year for costume. Beyond the typical crop of historical…

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    mini-dress | Clothes on Film

    As is often the way with costume designers, Stephanie Collie is something of an unsung hero. We will not reel off her entire back catalogue, but it does include South Riding (2011, TV), Telstar (2008) Peter’s Friends (1992) and perhaps most exciting of all, Lock, Stock and Two Smoking Barrels (1998). Now, anyone old enough to remember when Lock, Stock arrived will remember just what an incredible influence its Mod inspired costumes had on the world of fashion. You could not pick up a men’s magazine of the time without seeing some guy in slim trousers and a jersey polo shirt. Stephanie Collie invented this look, thus providing one of……

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    Natalie Portman | Clothes on Film

    SPOILERS Ahead of a detailed interview with Star Wars: The Force Awakens costume designer Michael Kaplan (currently hard at work on Episode VIII), we take a brief look at his undeniable achievement in bringing the 1970s – early 80’s back to life right here in the present. How do you make the now look old when paradoxically it is supposed to be the new? Well, you go simple. We say simple, but we mean ‘back to basics’. This is not the prequels; The Force Awakens takes place thirty years after the Rebellion defeated the Empire. Now both sides are in state of rebuilding so there is little call for Padmae’s……

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    Become The Babadook | Clothes on Film

    On the surface the Babadook is just another bogeyman: prickly, sinewy, all arched limbs and spiky digits. And this is the point: he is just another bogeyman; it is what he represents that really matters. Without spoiling too much, The Babadook is larger than life because he is the exaggerated physical manifestation of our demons. In this respect he could look like anyone – wherever our fears lead. Nonetheless for the purposes of dressing up as the Babadook for this Halloween, and having anyone actually guess who you are, the following is required: top hat, cape and some pointy things to stick on your fingers. To achieve maximum scare, however,…

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    Sothern Belle | Clothes on Film

    Django Unchained costume designer Sharen Davis exclusively explains her work on the film. Lord Christopher Laverty 9 Comments 31 May ’17 8 Feb ’13 22 Jun ’12 Costume designer Sharen Davis finds a good fit with Tarantino; their Deep South bounty hunter Django is a visibly memorable protagonist crying out for a sequel. Lord Christopher Laverty Comments Off on Review: Django Unchained 23 Oct ’12 31 May ’17 16 Jan ’12