-
Vivienne Westwood | Clothes on Film
When Clothes on Film visited The Muppets Most Wanted set back in March of 2013, we were given a tour of the bustling ‘wardrobe’ (their words) department, as overseen by costume designer Rahel Afiley. You can read more about that HERE, but after chasing Ms. Afiley around the room while she was trying to work, we managed to get a bit more out of her about using designer fashion, i.e. Vivienne Westwood, in the film. As always we are pushing the same old costume/fashion debate, though in this instance hearing from a costume designer on the front line is rather enlightening. Focusing specifically on Miss Piggy, for she is the…
-
A-line skirt | Clothes on Film
There has been an insane amount of discussion online about Bryce Dallas Howard’s character, Claire Dearing, since the release of Jurassic World (2015, costume designed Daniel Orlandi), mostly concerning the ‘running in heels’ sequences. I felt it would be interesting to take a broader look at the costumes of the female leads in both the original Jurassic Park (1993, costume supervised by Sue Moore) and Jurassic World and contrast in the characters. Dr Ellie Sattler the Paleobotanist as played by Laura Dern in the original movie is a hugely underrated feminist action hero. She is allowed to be clever, brave, practical and physical yet display ‘feminine’ traits at the same…
-
Stella McCartney | Clothes on Film
When Clothes on Film visited The Muppets Most Wanted set back in March of 2013, we were given a tour of the bustling ‘wardrobe’ (their words) department, as overseen by costume designer Rahel Afiley. You can read more about that HERE, but after chasing Ms. Afiley around the room while she was trying to work, we managed to get a bit more out of her about using designer fashion, i.e. Vivienne Westwood, in the film. As always we are pushing the same old costume/fashion debate, though in this instance hearing from a costume designer on the front line is rather enlightening. Focusing specifically on Miss Piggy, for she is the…
-
gangsters | Clothes on Film
Straight away there are overtones of influential crime thriller New Jack City with branded sportswear and 1920s-30’s style hats. Lord Christopher Laverty 5 Comments 19 Feb ’10 18 Jul ’09 3 Jun ’09
-
rock | Clothes on Film
“We are stardust, we are golden”, sang Joni Mitchell of the Woodstock Music and Art Fair, held August 15-18th 1969, at a dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel, New York. The irony was, she wasn’t even there. A further irony follows in that whilst a myriad of psychedelic colours are synonymous with the Woodstock nation, one of the most revered choices of dress, clearly shown in the documentary Woodstock (1970) is a simple white leather fringed lace-up tunic-style vest and bell bottom trousers. It is worn by one of the first female rock stars, the lead singer of Jefferson Airplane,…
-
Wesley Snipes | Clothes on Film
Straight away there are overtones of influential crime thriller New Jack City with branded sportswear and 1920s-30’s style hats. Lord Christopher Laverty 5 Comments 7 Nov ’09 11 Sep ’09 22 Oct ’10
-
Daphne du Maurier | Clothes on Film
Daphne du Maurier‘s original novel My Cousin Rachel apparently does not specify the exact period in which it’s set, but implies some time toward the end of the 19th century on the Cornish coast. This new version of the story starring Rachel Weisz and Sam Claflin actually positions itself in a specific time frame, as decided upon by director Roger Michell and costume designer Dinah Collin, namely the year 1840. We have an exclusive featurette about the costume design of My Cousin Rachel, which although brief goes into some detail about what to expect from the finished film: What is most fascinating is just why 1840 was chosen. It was…
-
Woodstock | Clothes on Film
“We are stardust, we are golden”, sang Joni Mitchell of the Woodstock Music and Art Fair, held August 15-18th 1969, at a dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel, New York. The irony was, she wasn’t even there. A further irony follows in that whilst a myriad of psychedelic colours are synonymous with the Woodstock nation, one of the most revered choices of dress, clearly shown in the documentary Woodstock (1970) is a simple white leather fringed lace-up tunic-style vest and bell bottom trousers. It is worn by one of the first female rock stars, the lead singer of Jefferson Airplane,…
-
Industrial Revolution | Clothes on Film
Daphne du Maurier‘s original novel My Cousin Rachel apparently does not specify the exact period in which it’s set, but implies some time toward the end of the 19th century on the Cornish coast. This new version of the story starring Rachel Weisz and Sam Claflin actually positions itself in a specific time frame, as decided upon by director Roger Michell and costume designer Dinah Collin, namely the year 1840. We have an exclusive featurette about the costume design of My Cousin Rachel, which although brief goes into some detail about what to expect from the finished film: What is most fascinating is just why 1840 was chosen. It was…
-
Sabrina | Clothes on Film
When Clothes on Film visited The Muppets Most Wanted set back in March of 2013, we were given a tour of the bustling ‘wardrobe’ (their words) department, as overseen by costume designer Rahel Afiley. You can read more about that HERE, but after chasing Ms. Afiley around the room while she was trying to work, we managed to get a bit more out of her about using designer fashion, i.e. Vivienne Westwood, in the film. As always we are pushing the same old costume/fashion debate, though in this instance hearing from a costume designer on the front line is rather enlightening. Focusing specifically on Miss Piggy, for she is the…