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Barbra Streisand in The Way We Were: Forties Meets Seventies | Clothes on Film – Part 20487
Throughout The Way We Were (1973, directed by Sydney Pollack), Barbra Streisand wears a mix of period authenticity and contemporary fashion, as costumed by Dorothy Jeakins and Moss Mabry. Essentially she is dressed as Barbra Streisand. Scan photographs and footage of Barbra from the time and it is evident that the actress brought more than just herself to the project; she brought her image too. The previous year, Barbra Streisand had experimented with the wilder excess of seventies trends in What’s Up, Doc? with Ryan O’Neal. Although now fondly remembered for upping her ‘cute’ contingent, What’s Up, Doc? was a mere flash in the pan. Streisand was never playful or…
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patch pocket | Clothes on Film
The blue towelling playsuit in Goldfinger is typically remembered as Bond’s one sartorial disaster. Yet it might be worthy of reconsideration. Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.
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four in hand | Clothes on Film
First look at Jenny Beavan’s late Victorian-with-a-twist costumes in action. Lord Christopher Laverty 6 Comments 16 Mar ’12 13 Sep ’13 15 Dec ’17
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PVC | Clothes on Film
Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth. Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however. Names such as Paco Rabanne, Mary Quant, André Courrèges and Tuffin and Foale all contributed to Audrey Hepburn’s wardrobe.
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civvie | Clothes on Film
Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.
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narrow trousers | Clothes on Film
Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.
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Iain Glen | Clothes on Film
Daphne du Maurier‘s original novel My Cousin Rachel apparently does not specify the exact period in which it’s set, but implies some time toward the end of the 19th century on the Cornish coast. This new version of the story starring Rachel Weisz and Sam Claflin actually positions itself in a specific time frame, as decided upon by director Roger Michell and costume designer Dinah Collin, namely the year 1840. We have an exclusive featurette about the costume design of My Cousin Rachel, which although brief goes into some detail about what to expect from the finished film: What is most fascinating is just why 1840 was chosen. It was…
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epaulettes | Clothes on Film
The highly anticipated season five premiere of Game of Thrones aired across the globe this week, giving us tantalising glimpses of where our favorite characters are now. We saw two brief scenes of Sansa Stark (Sophie Turner), who had a major makeover at the end of Season Four. With this new direction in her character, where will she end up in Season Five? In this little addendum to our previous analysis of her wardrobe, we explore the character clues in Sansa’s striking new look (costume design by Michele Clapton). Sansa has not had it easy so far. During the last few seasons she has been trapped in King’s Landing, tortured……
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zip fastening | Clothes on Film
Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.
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Hellfire Club | Clothes on Film
Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.