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    jersey | Clothes on Film

    American Gigolo is not about its protagonist, it is about what he wears. American Gigolo is about Armani. Ruth E. Carter’s work on Do the Right Thing is a masterclass in how costume can influence the look and feel of a film. Anuvahood showcases urban wear swagger. If you want to belong, you must fit in.

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    pleats | Clothes on Film

    Does costume design exist in animated film? Simulation supervisor for Brave, Claudia Chung, discusses its creation, processes and role in the finished movie. It is impossible not to have fun watching Avengers Assemble. Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity. This coral pink ensemble encompasses and challenges the absolute femininity of Grace Kelly.

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    Hannibal: Exclusive Interview with Janty Yates | Clothes on Film – Part 7039

    Oscar winning costume designer Janty Yates has kindly taken time out filming Ridley Scott’s latest Robin Hood to chat about her contribution to an earlier Scott picture, Hannibal (2001). Hannibal’s forbear, classic chiller The Silence of the Lambs (1990), was directed by Jonathan Demme and costumed by Colleen Atwood. It relies on a dank, washed-out atmosphere that informs the narrative by very lack of its presence. Hannibal on the other hand was always intended as a glossier more conspicuous affair. This marked something of a change of pace for Janty Yates whose earlier credits included the austere Victorian fashions of Jude (1996) and Scott’s own sword and sandal epic Gladiator…

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    Ane Crabtree | Clothes on Film

    Happy New Ye- oh we’ve done that already. Carry on. ‘How Hollywood is ruining a Billion Dollar Industry’ Amber Jane Butchart found this amazing article from 1938 and it is essential, and occasionally shocking, reading. Inside Llewyn Davis Video: Legendary costume designer Mary Zophres shares a few words about ‘uptown and downtown’ style. Ane Crabtree Contributor Kristin Koga talks to the costume designer about her career so far and their shared ethnicity. Cannot recommend this interview enough. Giorgio Armani GA chats to ES about his famous movie suits. Funnily enough he neglects to mention that Marilyn Vance-Straker had to re-tailor all his costumes for The Untouchables because they didn’t fit……

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    polo neck | Clothes on Film

    Edith Head’s costume design for Vertigo demonstrates the power of clothes in forming identities on-screen. Jacques D’Azur is missing, so take his place. Here are some tips from the flicks on how to succeed that sultan of sophistication. Mark Strong is sole sartorial encouragement in a movie choc full of (intentionally) awful clothes.