Posted by Chris Laverty – June 6, 2009 Starring: Bradley Cooper, Ed Helms, Zach Galifianakis Directed by: Todd Phillips The Hangover (2009) is hilarious. The Vegas bachelor party gone wrong premise is nothing new, but the story itself progresses so fast and with so many witty one-liners that the crowd of boozy lads this film is clearly aiming at should have a cracking time. Costume (by Louise Mingenbach) plays a big part in The Hangover. The gang: groom Doug (Justin Bartha), best mates Phil (Bradley Cooper) and Stu (Ed Helms), and the groom’s impending brother-in-law Alan (Zach Galifianakis), assemble themselves – suited and booted – for a spectacular night out.…

Oscar winning costume designer Janty Yates has kindly taken time out filming Ridley Scott’s latest Robin Hood to chat about her contribution to an earlier Scott picture, Hannibal (2001). Hannibal’s forbear, classic chiller The Silence of the Lambs (1990), was directed by Jonathan Demme and costumed by Colleen Atwood. It relies on a dank, washed-out atmosphere that informs the narrative by very lack of its presence. Hannibal on the other hand was always intended as a glossier more conspicuous affair. This marked something of a change of pace for Janty Yates whose earlier credits included the austere Victorian fashions of Jude (1996) and Scott’s own sword and sandal epic Gladiator…

Posted by Chris Laverty on May 17, 2009 The Warriors (1979) has transcended the label of ‘cult classic’ to now simply be regarded as ‘classic’. A barebones plot, but briskly directed by action maestro Walter Hill, this gang warfare movie was never so much about the fighting as the clothes. During the memorable opening credits sequence for example, admire the matching yellow satin jackets, striped jersey sweaters and army coats worn by the gangs as they march the subways of NYC as if strutting the runways of Milan. Frankly, by today’s standards, it can all look faintly comical. Though in the late seventies, when downtown New York was something of…

Posted by Chris Laverty on November 6, 2009 Of course Rear Window (1954) wasn’t all about Grace Kelly… Just a quick mention then for Miss Lonelyheart played with such empathy by Judith Evelyn, and her dashing green dress. This outfit might look passé compared to the haute couture of Grace Kelly’s Lisa, yet it is probably what her character was wearing eighteen months earlier: More… Posted by Chris Laverty on September 11, 2009 Costume designers face a quandary: keep contemporary set films up to date, but ensure that they do not appear hideously outmoded in the future. In short they need to create a look that is both fashionable and…

Posted by Chris Laverty on June 1, 2009 While still alluring, as practically anything is on Grace Kelly, this is perhaps her least successful outfit overall from Rear Window (1954, as Lisa Fremont). The jacket seems slightly too long and loose for the slenderness of the skirt; it doesn’t fit Kelly’s figure as comfortably as it might. However even with its faults the suit still reflects a vital side of Lisa’s complex personality: her professional, tailored femininity. More…

Posted by Chris Laverty on May 5, 2009 Grace Kelly (as Lisa Fremont) wears five separate outfits in Rear Window (1954) including one negligee. Three of these are exceptional standouts, each neatly representing a different sector of 1950s women’s fashion: dress, casual and tailored. More…

Posted by Chris Laverty on May 5, 2009 Grace Kelly (as Lisa Fremont) wears five separate outfits in Rear Window (1954) including one negligee. Three of these are exceptional standouts, each neatly representing a different sector of 1950s women’s fashion: dress, casual and tailored. More…

Posted by Chris Laverty on May 5, 2009 Grace Kelly (as Lisa Fremont) wears five separate outfits in Rear Window (1954) including one negligee. Three of these are exceptional standouts, each neatly representing a different sector of 1950s women’s fashion: dress, casual and tailored. More…

Posted by Chris Laverty on May 5, 2009 Grace Kelly (as Lisa Fremont) wears five separate outfits in Rear Window (1954) including one negligee. Three of these are exceptional standouts, each neatly representing a different sector of 1950s women’s fashion: dress, casual and tailored. More…

Posted by Chris Laverty on November 6, 2009 Of course Rear Window (1954) wasn’t all about Grace Kelly… Just a quick mention then for Miss Lonelyheart played with such empathy by Judith Evelyn, and her dashing green dress. This outfit might look passé compared to the haute couture of Grace Kelly’s Lisa, yet it is probably what her character was wearing eighteen months earlier: More… Posted by Chris Laverty on May 5, 2009 Grace Kelly (as Lisa Fremont) wears five separate outfits in Rear Window (1954) including one negligee. Three of these are exceptional standouts, each neatly representing a different sector of 1950s women’s fashion: dress, casual and tailored. More…