© 2010, Clothes on Film 10 Dec ’10 Filed under Bond on film, Clothes from 1960s, Guys in Films. Tagged 007, Anthony Sinclair, bespoke, blazer, bow tie, braces, cocktail cuff, Conduit Street, Daks tops, dinner suit, Dr. No, Edwardian, gauntlet cuffs, James Bond, lapels, Matt Spaiser, Neo-Edwardian, oxford shoes, Roger Moore, Savile Row, Sean Connery, serge, shawl collar, shirt, suit, Terrance Young, trilby, turnback cuff, Turnbull & Asser, vents. Bookmark the permalink. Post a comment. Leave a Trackback (URL). Matt Spaiser, creator of excellent blog The Suits of James Bond analyses the world’s sharpest spy in the film that started it all – Dr. No. James Bond has most likely…

© 2010, Clothes on Film 10 Dec ’10 Filed under Bond on film, Clothes from 1960s, Guys in Films. Tagged 007, Anthony Sinclair, bespoke, blazer, bow tie, braces, cocktail cuff, Conduit Street, Daks tops, dinner suit, Dr. No, Edwardian, gauntlet cuffs, James Bond, lapels, Matt Spaiser, Neo-Edwardian, oxford shoes, Roger Moore, Savile Row, Sean Connery, serge, shawl collar, shirt, suit, Terrance Young, trilby, turnback cuff, Turnbull & Asser, vents. Bookmark the permalink. Post a comment. Leave a Trackback (URL). Matt Spaiser, creator of excellent blog The Suits of James Bond analyses the world’s sharpest spy in the film that started it all – Dr. No. James Bond has most likely…

© 2010, Clothes on Film 10 Dec ’10 Filed under Bond on film, Clothes from 1960s, Guys in Films. Tagged 007, Anthony Sinclair, bespoke, blazer, bow tie, braces, cocktail cuff, Conduit Street, Daks tops, dinner suit, Dr. No, Edwardian, gauntlet cuffs, James Bond, lapels, Matt Spaiser, Neo-Edwardian, oxford shoes, Roger Moore, Savile Row, Sean Connery, serge, shawl collar, shirt, suit, Terrance Young, trilby, turnback cuff, Turnbull & Asser, vents. Bookmark the permalink. Post a comment. Leave a Trackback (URL). Matt Spaiser, creator of excellent blog The Suits of James Bond analyses the world’s sharpest spy in the film that started it all – Dr. No. James Bond has most likely…

Second and final part in our sartorial analysis of Sherlock Holmes (2009), complete with insight from costume designer Jenny Beavan. Excited by the mystery of Lord Blackwood’s apparent ‘resurrection’, Holmes actually makes a genuine effort to appear neat for once (the restaurant date does not count as he was prompted). Holmes strolls into the cemetery beside Watson and Constable Clark wearing a black single breasted whale cord frock coat, high fastening with stand collar waistcoat in green and gold flower pattern silk, striped silk scarf, light grey pinstripe trousers, white shirt with unbuttoned cuffs, wideawake hat (too wide a brim for a trilby, too soft for a homburg) and round-framed…

Second and final part in our sartorial analysis of Sherlock Holmes (2009), complete with insight from costume designer Jenny Beavan. Excited by the mystery of Lord Blackwood’s apparent ‘resurrection’, Holmes actually makes a genuine effort to appear neat for once (the restaurant date does not count as he was prompted). Holmes strolls into the cemetery beside Watson and Constable Clark wearing a black single breasted whale cord frock coat, high fastening with stand collar waistcoat in green and gold flower pattern silk, striped silk scarf, light grey pinstripe trousers, white shirt with unbuttoned cuffs, wideawake hat (too wide a brim for a trilby, too soft for a homburg) and round-framed…

Second and final part in our sartorial analysis of Sherlock Holmes (2009), complete with insight from costume designer Jenny Beavan. Excited by the mystery of Lord Blackwood’s apparent ‘resurrection’, Holmes actually makes a genuine effort to appear neat for once (the restaurant date does not count as he was prompted). Holmes strolls into the cemetery beside Watson and Constable Clark wearing a black single breasted whale cord frock coat, high fastening with stand collar waistcoat in green and gold flower pattern silk, striped silk scarf, light grey pinstripe trousers, white shirt with unbuttoned cuffs, wideawake hat (too wide a brim for a trilby, too soft for a homburg) and round-framed…

Second and final part in our sartorial analysis of Sherlock Holmes (2009), complete with insight from costume designer Jenny Beavan. Excited by the mystery of Lord Blackwood’s apparent ‘resurrection’, Holmes actually makes a genuine effort to appear neat for once (the restaurant date does not count as he was prompted). Holmes strolls into the cemetery beside Watson and Constable Clark wearing a black single breasted whale cord frock coat, high fastening with stand collar waistcoat in green and gold flower pattern silk, striped silk scarf, light grey pinstripe trousers, white shirt with unbuttoned cuffs, wideawake hat (too wide a brim for a trilby, too soft for a homburg) and round-framed…

Second and final part in our sartorial analysis of Sherlock Holmes (2009), complete with insight from costume designer Jenny Beavan. Excited by the mystery of Lord Blackwood’s apparent ‘resurrection’, Holmes actually makes a genuine effort to appear neat for once (the restaurant date does not count as he was prompted). Holmes strolls into the cemetery beside Watson and Constable Clark wearing a black single breasted whale cord frock coat, high fastening with stand collar waistcoat in green and gold flower pattern silk, striped silk scarf, light grey pinstripe trousers, white shirt with unbuttoned cuffs, wideawake hat (too wide a brim for a trilby, too soft for a homburg) and round-framed…

Second and final part in our sartorial analysis of Sherlock Holmes (2009), complete with insight from costume designer Jenny Beavan. Excited by the mystery of Lord Blackwood’s apparent ‘resurrection’, Holmes actually makes a genuine effort to appear neat for once (the restaurant date does not count as he was prompted). Holmes strolls into the cemetery beside Watson and Constable Clark wearing a black single breasted whale cord frock coat, high fastening with stand collar waistcoat in green and gold flower pattern silk, striped silk scarf, light grey pinstripe trousers, white shirt with unbuttoned cuffs, wideawake hat (too wide a brim for a trilby, too soft for a homburg) and round-framed…

© 2010, Disney 23 Jul ’10 Filed under Clothes from Fantasy & Sci-fi, Film Reviews, Girls in Films, Guys in Films. Tagged Barbie, Buzz, camp, costume, Disney, Disney/PIXAR, John Morris, Laurie Metcalf, Lee Unkrich, PIXAR, Rex, Toy story, Toy Story Ken, Woody. Bookmark the permalink. Post a comment. Leave a Trackback (URL). Starring: Tom Hanks, Tim Allen, Michael Keaton (voices) Directed By: Lee Unkrich One of the funniest scenes in Toy Story 3 involves new character Ken. Moreover it actually involves Barbie disguised as Ken. The joke comes from the fact that Ken’s clothes are overtly feminine in style, so much so that when Barbie’s stilettos are revealed beneath her…