In development since 2007 and nurtured for at least 20 years by curator Deborah Nadoolman Landis since her days as president of the Costume Designers’ Guild (CDG), the exhibition ‘Hollywood Costume’ finally opens at the V&A museum. This is the costume exhibition to end all costume exhibitions; everything from Judy Garland’s gingham pinafore and ruby slippers from The Wizard of Oz, to Keira Knightley’s burgundy silk gown from Anna Karenina, to Robert De Niro’s ‘King Kong Company’ jacket, check shirt, jeans and even boots from Taxi Driver. Hollywood Costume is a rush; an awe-inspiring journey through the meaning and history of contemporary, period and mo-cap costume design utilising projections, interviews,…

In development since 2007 and nurtured for at least 20 years by curator Deborah Nadoolman Landis since her days as president of the Costume Designers’ Guild (CDG), the exhibition ‘Hollywood Costume’ finally opens at the V&A museum. This is the costume exhibition to end all costume exhibitions; everything from Judy Garland’s gingham pinafore and ruby slippers from The Wizard of Oz, to Keira Knightley’s burgundy silk gown from Anna Karenina, to Robert De Niro’s ‘King Kong Company’ jacket, check shirt, jeans and even boots from Taxi Driver. Hollywood Costume is a rush; an awe-inspiring journey through the meaning and history of contemporary, period and mo-cap costume design utilising projections, interviews,…

Matt Spaiser analyses the suits of George Lazenby’s James Bond in On Her Majesty’s Secret Service and draws an interesting comparison with Daniel Craig in Skyfall. James Bond fans know George Lazenby as the man who played Bond in one of the best films of the series, On Her Majesty’s Secret Service. Before Bond, Lazenby was a car salesman, a mechanic and a model. Except for in a few commercials, he was not an actor. Despite his limited acting experience, On Her Majesty’s Secret Service was still an excellent film due to its great story, capable director and talented cast. From his modelling days, Lazenby knew how to wear clothes…

© Terry O’Neill 8 Oct ’12 Photographer Terry O’Neill has been snapping shots of James Bond behind the scenes since his arrival in 1962. This book, tied together with essays written by journalists, cultural historians and interviews with Bond girls is a collection of O’Neill’s finest and most revealing work. Though many of the images have not been widely published, O’Neill’s work is easily recognisable by his eavesdropping, yet highly artistic style. Surely you have seen that classic shot of Bond creator Ian Fleming close-up in dotted silk cravat smoking a cigarette? O’Neill took it. Despite some perfunctory text, All About Bond wisely focuses on O’Neill’s photographs. The best feature…

Matt Spaiser analyses the suits of George Lazenby’s James Bond in On Her Majesty’s Secret Service and draws an interesting comparison with Daniel Craig in Skyfall. James Bond fans know George Lazenby as the man who played Bond in one of the best films of the series, On Her Majesty’s Secret Service. Before Bond, Lazenby was a car salesman, a mechanic and a model. Except for in a few commercials, he was not an actor. Despite his limited acting experience, On Her Majesty’s Secret Service was still an excellent film due to its great story, capable director and talented cast. From his modelling days, Lazenby knew how to wear clothes…

Matt Spaiser analyses the suits of George Lazenby’s James Bond in On Her Majesty’s Secret Service and draws an interesting comparison with Daniel Craig in Skyfall. James Bond fans know George Lazenby as the man who played Bond in one of the best films of the series, On Her Majesty’s Secret Service. Before Bond, Lazenby was a car salesman, a mechanic and a model. Except for in a few commercials, he was not an actor. Despite his limited acting experience, On Her Majesty’s Secret Service was still an excellent film due to its great story, capable director and talented cast. From his modelling days, Lazenby knew how to wear clothes…

Welsh born costume designer Lindy Hemming started her career in the theatre, conceding she hardly watched any movies at all until moving to London. Yet several decades later Ms. Hemming has designed for such hugely successful features as Four Weddings and a Funeral (1994), Harry Potter and the Chamber of Secrets (2002) and won an Academy Award for Topsy Turvy (1999). Of course her tenure with Pierce Brosnan as James Bond (and one for Daniel Craig) is well known, much like her role as Christopher Nolan’s regular costumer for his Dark Knight trilogy. Having long been intrigued by Nolan’s unique vision, particularly after Memento (2000), Ms. Hemming was thrilled to…

Welsh born costume designer Lindy Hemming started her career in the theatre, conceding she hardly watched any movies at all until moving to London. Yet several decades later Ms. Hemming has designed for such hugely successful features as Four Weddings and a Funeral (1994), Harry Potter and the Chamber of Secrets (2002) and won an Academy Award for Topsy Turvy (1999). Of course her tenure with Pierce Brosnan as James Bond (and one for Daniel Craig) is well known, much like her role as Christopher Nolan’s regular costumer for his Dark Knight trilogy. Having long been intrigued by Nolan’s unique vision, particularly after Memento (2000), Ms. Hemming was thrilled to…

© 2011, Columbia Pictures 28 Feb ’12 The votes have been counted, prizes dished out and winners’ speeches read. Now the Big Three honours have all been awarded it is time to list the lucky recipients and give them the hearty round of applause they deserve. First to be announced on 12th February was the BAFTA (British Academy of Film & Television Arts) award for Best Costume Design, which the BBC typically and shamefully edited from their main broadcast, sandwiching it with Cinematography, Editing and other worthy categories ninety seconds before the end credits. Nominees and winner below: The Artist – Mark Bridges WINNER Hugo – Sandy Powell Jane Eyre…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…