Contributor |

24 Jun ’13 © 2013, HBO

The costume evolution of Sansa Stark in Game of Thrones.
Continue reading

28 May ’13 © 2013, Clothes on Film

Goldie Hawn’s unforgettable debut in hot pants and mini skirts in Cactus Flower. Continue reading

20 May ’13 © 2013, Warner Bros. Pictures

Catherine Martin chats about The Great Gatsby costumes, design and a lack of nostalgia. Continue reading

14 May ’13 © 2013, Warner Bros. Pictures

Analysing the sometimes tense relationship between fashion and costume design. Continue reading

4 May ’13 © 2013, Clothes on Film

A look at late Margaret Thatcher’s colour specific wardrobe as represented in the film The Iron Lady. Continue reading

19 Apr ’13 © 2013, Warner Bros. Pictures

We analyse exactly what Baz Luhrmann and Catherine Martin need to get right for their costume design in The Great Gatsby. Continue reading

5 Apr ’13 © 2013, Clothes on Film

The colours and codes of the costume design in No Country for Old Men. Continue reading

11 Jan ’13 © 2012, Focus Features

Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading

5 Dec ’12 © 2012, Clothes on Film

The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level. Continue reading

9 Nov ’12 © 2012, Clothes on Film

The evolving costumes worn by Sandra Dee in classic sixties gender comedy A Man Answers. Continue reading

12 Oct ’12 © 2012, Clothes on Film

George Lazenby’s fashionable Bond is sartorially similar to Daniel Craig in Skyfall. Continue reading

30 Aug ’12 © 2012, Clothes on Film

The costumes of Rumble Fish express the importance of teenage dress codes before the segregating journey into adulthood. Continue reading

11 Aug ’12 © 2012, Clothes on Film

Armour and indecisiveness: Audrey Hepburn is more than a little black dress in Breakfast at Tiffany’s. Continue reading

1 Jun ’12 © 2012, Clothes on Film

The religious and cultural significance of the costume design in foreign language Oscar winner A Separation. Continue reading

25 May ’12 © 2012, Clothes on Film

The subtle differentiation of character through costume design in Moon. Continue reading

11 May ’12 © 2012, Clothes on Film

“Fashion victim” or “ensemble-y challenged”. Examining the legacy of Mona May’s costume design for Clueless. Continue reading

10 Apr ’12 © 2012, Clothes on Film

Edith Head’s costume design for Vertigo demonstrates the power of clothes in forming identities on-screen. Continue reading

20 Mar ’12 © 2012, Clothes on Film

The glamorous look of the mid-1930s threads its way through dual love stories in W.E. Continue reading