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24 Jun ’13 © 2013, HBO
The costume evolution of Sansa Stark in Game of Thrones.
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28 May ’13 © 2013, Clothes on Film
Goldie Hawn’s unforgettable debut in hot pants and mini skirts in Cactus Flower. Continue reading
20 May ’13 © 2013, Warner Bros. Pictures
Catherine Martin chats about The Great Gatsby costumes, design and a lack of nostalgia. Continue reading
14 May ’13 © 2013, Warner Bros. Pictures
Analysing the sometimes tense relationship between fashion and costume design. Continue reading
4 May ’13 © 2013, Clothes on Film
A look at late Margaret Thatcher’s colour specific wardrobe as represented in the film The Iron Lady. Continue reading
19 Apr ’13 © 2013, Warner Bros. Pictures
We analyse exactly what Baz Luhrmann and Catherine Martin need to get right for their costume design in The Great Gatsby. Continue reading
5 Apr ’13 © 2013, Clothes on Film
The colours and codes of the costume design in No Country for Old Men. Continue reading
11 Jan ’13 © 2012, Focus Features
Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Continue reading
5 Dec ’12 © 2012, Clothes on Film
The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level. Continue reading
9 Nov ’12 © 2012, Clothes on Film
The evolving costumes worn by Sandra Dee in classic sixties gender comedy A Man Answers. Continue reading
12 Oct ’12 © 2012, Clothes on Film
George Lazenby’s fashionable Bond is sartorially similar to Daniel Craig in Skyfall. Continue reading
30 Aug ’12 © 2012, Clothes on Film
The costumes of Rumble Fish express the importance of teenage dress codes before the segregating journey into adulthood. Continue reading
11 Aug ’12 © 2012, Clothes on Film
Armour and indecisiveness: Audrey Hepburn is more than a little black dress in Breakfast at Tiffany’s. Continue reading
1 Jun ’12 © 2012, Clothes on Film
The religious and cultural significance of the costume design in foreign language Oscar winner A Separation. Continue reading
25 May ’12 © 2012, Clothes on Film
The subtle differentiation of character through costume design in Moon. Continue reading
11 May ’12 © 2012, Clothes on Film
“Fashion victim” or “ensemble-y challenged”. Examining the legacy of Mona May’s costume design for Clueless. Continue reading
10 Apr ’12 © 2012, Clothes on Film
Edith Head’s costume design for Vertigo demonstrates the power of clothes in forming identities on-screen. Continue reading
20 Mar ’12 © 2012, Clothes on Film
The glamorous look of the mid-1930s threads its way through dual love stories in W.E. Continue reading