Clothes on Film | Screen style & identity – Part 22

Wes Anderson’s most sartorially significant film yet. Continue reading

The subtle differentiation of character through costume design in Moon. Continue reading

In a week of exciting trailers, the first for director Baz Luhrmann’s adaptation of The Great Gatsby must surely be the most thrilling of all. Continue reading

The first trailer for Skyfall hits with several suits, an overcoat, sportswear and a beanie. Continue reading

Doris Day’s last hurrah for 1950s fashion wearing some of the most exquisite costumes ever seen on screen. Continue reading

“Fashion victim” or “ensemble-y challenged”. Examining the legacy of Mona May’s costume design for Clueless. Continue reading

American Gigolo is not about its protagonist, it is about what he wears. American Gigolo is about Armani. Continue reading

We have five copies of Liz Gregory’s movie dressmaking book Sew Iconic to give away. That’s right, five. Continue reading

Clothes on Film had an exclusive conversation with costume designer Joanna Johnston about her work on War Horse. Continue reading

It is impossible not to have fun watching Avengers Assemble. Continue reading

Clothes on Film were granted a private tour of world-renowned Angels the costumiers. Continue reading

Edith Head’s costume design for Vertigo demonstrates the power of clothes in forming identities on-screen. Continue reading