Anthea Sylbert | Clothes on Film

Artist Cathy Lomax has recreated several images from Rosemary’s Baby, analysing the film via costumes worn by its titular central character.

The Fortune is as pleasing to the eye as it is funny. Smart and loose casual elegance with a lot of silk and herringbone.

Part two of a new Dual Analysis. Costume designer Kristin Burke from FrockTalk gives her thoughts on Rosemary’s Baby.

As a preamble for Kristin Burke’s upcoming analysis of Rosemary’s Baby, here is a rather interesting chat we had about the film.

Anthea Sylbert was prolific following Rosemary’s Baby. Roman Polanski’s atmospheric horror was essentially her big break – and one of her toughest challenges too.

A landmark blend of acting, directing, structure and design, Chinatown is the greatest detective movie ever made.

Rosemary’s Baby is the perfect mid-sixties set fashion movie.