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    bowler | Clothes on Film

    NO SPOILERS Real and mythological, figurative and literal; monsters of all kinds abound in Sky Atlantic’s new period horror series Penny Dreadful. We might expect a skulking figure in a top hat and frock coat to be scary, though who would have thought a bustle and redingote could be so terrifying? Well, step forward Eva Green as enigmatic Vanessa Ives. Not hero nor villain, but a dead eyed clairvoyant who definitely shouldn’t be invited to dinner parties. Penny Dreadful is set in 1891, although is more a literary parallel universe than true reflection of the era. Some of the characters featured are written for the show (Vanessa), some existed in……

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    fantasy | Clothes on Film

    MINOR SPOILERS Okja (2017) is the second film that costume designer Catherine George has worked on with director Bong Joon-ho. Their first together, Snowpiercer (2013), despite being lauded by critics (and featuring Chris Evans), only received a limited theatrcial run in the U.S. and no release at all in the UK. Unlike Okja, Snowpiercer is an out and out sci-fi fantasy set when most of the world’s population have been wiped out and those who remain live on perpetually moving train. Okja is still a fantasy, it revolves around a little girl Mija (An Seo Hyun) trying to save her giant ‘super pig’ from being harvested as GM bacon, but……

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    Mary Zophres | Clothes on Film

    For a big budget movie about a lone astronaut who gets stranded on Mars, the spacesuits in The Martian are surprisingly sober in terms of design. There is an attempt here to make everything seem as plausible as possible, costume design especially. Director Ridley Scott’s regular costumer Janty Yates has created possibly the sexiest spacesuits ever seen on screen, and what’s more they are functional. To paraphrase a line in the film, she had to “science the shit out of them”. Yates collaborated with NASA looking specifically at their Z1 and Z2 prototypes to create an EVA (‘Extravehicular Activity’ – any time the crew must go outside) suit and surface……

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    leopard print | Clothes on Film

    He is the whitest of the white trash, the kind of man who dumps raw sewage in a storm drain and kidnaps your boss as a Christmas present. And the only man to ever combine a leather belt with a bathrobe. Randy Quaid has played lovable moocher ‘Cousin Eddie’ in four separate National Lampoon films, but his most famous performance still resides at yuletide. National Lampoon’s Christmas Vacation (1989, directed by Jeremiah C. Chechik) has weathered years of apathy to become something of a seasonal favourite. Watching Chevy Chase’s bipolar family man Clark Griswold lose his rag every December is now a festive tradition . Yet Clark is not really……

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    period | Clothes on Film

    The first full-length trailer for Disney’s new live-action adaptation of Cinderella was this week and featured tantalising glimpses of what promises to be a visually gorgeous film. The costumes, designed by three time Academy Award winner Sandy Powell, appear to be absolutely stunning. With a clever mix of the eighteenth century, the 1830s, and a little 1950s couture thrown in for good measure (Powell has been quoted as saying she was aiming for the look of “a nineteenth-century period film made in the 1940s or ’50s”), Powell has created another jewel to add to her already over-bling crown. Here is a quick rundown of some of the looks we’ve been……

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    Joe Kucharski | Clothes on Film

    The near future romance Her, written and directed by Spike Jonze, whose widely diverse resume ranges from the world of music videos to MTV’s Jackass to major motion pictures, brought together a creative team that costume designer Casey Storm refers to as “friends first, and co-workers second.” Storm and production designer K.K. Barrett create a soft, comfortable world of tomorrow. Shot on location around Los Angeles and Shanghai, Barrett avoided familiar locations to create a world that is accessible but not overtly recognisable. Our first introduction to the world feels very familiar. Seated in an office in a simple button up, Joaquin Phoenix’s character, Theodore Twombly, dictates a letter to……

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    LBD | Clothes on Film

    Costume colours in House of Cards are symbolic of vulnerability and power. In honour of the The Wolverine and his black on black Yakuza uniform, a round up of posts featuring memorable black costumes at Clothes on Film. A rundown of why Hollywood Costume at the V&A is the best event you will see all year. Armour and indecisiveness: Audrey Hepburn is more than a little black dress in Breakfast at Tiffany’s. We have five copies of Liz Gregory’s movie dressmaking book Sew Iconic to give away. That’s right, five. La Femme Nikita re-defines the little black dress on film. The costumes are somewhat…ahem….‘colourful’.

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    Shawna Trpcic | Clothes on Film

    An American Werewolf in London A screening at the Billy Wilder theater in Los Angeles on the 26th, with Deborah Nadoolman Landis in attendance to sign copies of her book ‘Hollywood Costume’ (we’re in that!). Shawna Trpcic It’s question time with Shawna Trpcic. What a fun idea! Halloween FrockTalk’s guide to looking suitably fab and/or disgusting. Thor: The Dark World Costume designer Wendy Partridge (another new set of hands for Thor) chats briefly about her work on the upcoming film. Rush Inspired by her friend Ellen Crawshaw working as a costume assistant on Rush, fashion historian and all round sartorial resource Amber Butchart analyses cars and Formula 1 style in……

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    Fight Club | Clothes on Film

    MINOR SPOILERS There are already lots of good interviews with Star Wars: The Last Jedi (2017) costume designer Michael Kaplan on the internet (we recommend this one in particular), so for Clothes on Film we kept it brief and fresh. We caught up with Kaplan, who is also responsible for Star Wars: The Force Awakens (2015), Star Trek (2009), Fight Club (1999) and Blade Runner (1982), for a little chat about what’s new for episode 8 of the ever evolving space saga. Clothes on Film: Let’s kick off by asking you about the best new costume in the film, the Elite Praetorian Guard… Michael Kaplan: They are my favourite costumes……

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    Catching Fire | Clothes on Film

    This week this happened in costume… Diana Rush, Alpha Papa and now Diana, costume designer Julian Day is everywhere at the moment (good, because he’s very talented). Here Day explains a little about undertaking what must have been one of the trickiest costume jobs of the year. Revenge All about Emily Thorne’s (Emily Van Camp) wedding dress. Preview: Jill Ohanneson designed it herself. Trish Summerville Video: The 2013 Stylist award winner looks understandably bemused throughout Pop Sugar’s excitable interview. Riddick Helen o’Hara skilfully pulls apart the film’s frankly disgusting misogyny. Northern Costume Social Event Advice for those in the TV/film costume game. Toronto International Film Festival Leaving aside award friendly……