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Nicolas Cage | Clothes on Film
The costumes of Rumble Fish express the importance of teenage dress codes before the segregating journey into adulthood. Well known and respected Hollywood costume designer, Theadora Van Runkle, has died. Judianna Makovsky demonstrates that contemporary fashion with a plot is far more fun than a flick through Vogue. Jacques D’Azur is missing, so take his place. Here are some tips from the flicks on how to succeed that sultan of sophistication. Hit-Girl owns this film like she would own your ass if you ever stepped to her. Here are some new character posters for Kick-Ass. Peppy costume design by Sammy Sheldon.
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1947 | Clothes on Film
As worn by Grace Kelly, this floaty, conspicuous dress is an appreciable nod to Dior’s ‘New Look’ of the late 1940s.
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twill | Clothes on Film
This is a personal post about designing my custom made James Bond shirt. It is not an advertorial and wasn’t paid for. All photographs are of the final finished shirt(s) and taken by David Wade of Vogue Shot photography. There are now ample custom shirt makers online, but as a pre-existing customer of Deo Veritas what made this company stand out for me was a steadfast, almost stubborn desire to get everything ‘just so’. Seemingly no query or request is too much trouble. Bearing this in mind I tasked Deo Veritas with recreating a shirt I have always sought yet been unable to find off the peg or in my……
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safari suit | Clothes on Film
Zach Galifianakis in a safari suit and plenty more costume wackiness to come says costume designer Louise Mingenbach. Here are some images of the Toy Story gang, principally the one most obsessed by fashion: Ken.
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LED | Clothes on Film
To tie-in with the release of Disney’s new live-action version of Beauty and Beast, the project’s Oscar winning costume designer Jacqueline Durran teamed up with students from Central Saint Martin’s college in London to reinterpret ensembles from the film. These are outfits designed in homage to Beauty and the Beast, taking specific elements here and there, a song, colour or concept and creating something entirely new. Whether these are fashion or art pieces is ultimately unclear – what stands out though is their reach beyond that of merely marketing a big movie. Just as an idea it would be fantastic to see more films promoting their costumes in this way.……
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Jason Clarke | Clothes on Film
Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. Lord Christopher Laverty 4 Comments 11 Apr ’14 2 May ’13 22 Nov ’11 Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Lord Christopher Laverty 14 Comments 5 May ’10 19 Jan ’11 20 May ’13
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Sam Riley | Clothes on Film
MILD SPOILERS Director Ben Wheatley’s latest, Free Fire, is set in Boston, 1978, but was actually shot in Brighton in 2015. Being as the plot revolves around ten characters involved in a one hour plus shoot-out inside a disused factory, from a sartorial point of view things get rather grubby. The film’s BAFTA nominated costume designer Emma Fryer has already worked with Wheatley on The ABCs of Death (2012) and A Field in England (2013) so is used to the way his stories tend to go bananas in the final reel. Free Fire unfolds practically in real time, which amps up the tension but allows for no mistake with costume.……
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Phantom Thread | Clothes on Film
A brief glimpse at the costume world Mark Bridges created for Joker. SPOILERS If you’ve heard anything about Phantom Thread (2017, directed by Paul Thomas Anderson), you are bound to uncover a multitude of thoughts on the astounding Academy Award winning costume work of Mark Bridges or the retirement role of Daniel Day-Lewis as Reynolds Woodcock, 1950s fashion house couturier. But one of the key components to Reynolds is missing from the discussion: Autism. Phantom Thread opens with Reynolds (Day-Lewis) getting dressed to formalities of the era. Polished shoes, ironed trousers, a fresh button-down shirt, with the addition of long magenta socks to introduce the notion of creativity, or perhaps…
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Tommy Velasco | Clothes on Film
Goldmember (2002, directed by Jay Roach), the final film (so far) in the Austin Powers series again shifts its timeline. However, rather than a negligible, though comparatively significant, jump from late to very late 1960s, here we dive into that most raucous of decades – the 1970s. And then back to 2002 (do keep up). For costume designer Deena Appel (pictured above, bottom left with Jay Roach) it was a wildly ambitious undertaking. Not to mention the film also features a well-known music and movie star, just about to launch into the stratosphere: Beyoncé. Speaking exclusively to Clothes on Film and closing out our epic in-depth look at the Austin……
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Clueless | Clothes on Film
MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge suit, women’s clothing has a lot more avenues and possibilities. In addition to colour and pattern there is shape and form, which can vary dramatically for the fashionable wearer. What can vary dramatically can also date dramatically and this can be major stumbling block for costume designers. Films centred around the world of fashion, or those that include a lot of fashionable garments such as The Devil Wears Prada (2006), Clueless (1995) and Funny Face……