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Review: The Dark Knight Rises | Clothes on Film
Directed By: Christopher Nolan Starring: Christian Bale, Tom Hardy, Anne Hathaway MAJOR SPOILERS THROUGHOUT Typical of director Christopher Nolan, The Dark Knight Rises has the initial hit of satisfaction followed by the faintest of doubts that something was missing. Exciting, audacious, thematically rich, and yet somehow lacking that extra layer of greatness. Of course with further consideration, even a re-watch (Nolan is a studio’s dream), such concerns prove unfounded. Nolan is a master magician; look closer, it is all there. The Dark Knight may rise but for his alter-ego redemption must come at the ultimate price. His faithful butler and surrogate parent Alfred knew it, his lost love Rachel Dawes…
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Star Wars Episode VII: The Costumes Awaken | Clothes on Film
SPOILERS Ahead of a detailed interview with Star Wars: The Force Awakens costume designer Michael Kaplan (currently hard at work on Episode VIII), we take a brief look at his undeniable achievement in bringing the 1970s – early 80’s back to life right here in the present. How do you make the now look old when paradoxically it is supposed to be the new? Well, you go simple. We say simple, but we mean ‘back to basics’. This is not the prequels; The Force Awakens takes place thirty years after the Rebellion defeated the Empire. Now both sides are in state of rebuilding so there is little call for Padmae’s…
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Belle de Jour: Sex and Alienation | Clothes on Film
Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. Every afternoon between two and five Séverine services clients of various persuasions as her eyes are gradually opened to the possibility of sexual satisfaction. Yet the deeper she digs the more her bourgeois existence is threatened. Eventually Séverine quits the brothel and returns to…
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Nicole Kidman | Clothes on Film
The leggy lure of Bombshell. Kurt and Bart are fascinating. Forged as art school drop outs in 1980s New York, their name is now a singular brand to movers and shakers in the media industry. Yet they are two people, two very real people: Kurt Swanson and Bart Mueller, renowned costume designers and wardrobe stylists for film, stage, TV and commercials. Since the early 2000s, Kurt and Bart have really stepped up their work costume designing film (forgive the pun but they actually did costume Step Up 3D), although runaway hit Stoker is arguably their highest profile feature yet. In fact Stoker is the most beguiling film of 2013 so…
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Bong Joon-ho | Clothes on Film
MINOR SPOILERS Okja (2017) is the second film that costume designer Catherine George has worked on with director Bong Joon-ho. Their first together, Snowpiercer (2013), despite being lauded by critics (and featuring Chris Evans), only received a limited theatrcial run in the U.S. and no release at all in the UK. Unlike Okja, Snowpiercer is an out and out sci-fi fantasy set when most of the world’s population have been wiped out and those who remain live on perpetually moving train. Okja is still a fantasy, it revolves around a little girl Mija (An Seo Hyun) trying to save her giant ‘super pig’ from being harvested as GM bacon, but…
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Coco Chanel | Clothes on Film
Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from the beginning of the movie to the end which tells its own tale of what is happening to its owner. When we first see Jasmine (Cate Blanchett) she is flying first-class from New York to San Francisco to see her sister Ginger (Sally Hawkins). On the flight she dazzles a fellow passenger with the story of how she met her wealthy businessman husband Hal (Alec Baldwin). Or so she thinks.……
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Bérénice Marlohe | Clothes on Film
The first trailer for Skyfall hits with several suits, an overcoat, sportswear and a beanie. Lord Christopher Laverty 2 Comments 2 Oct ’18 29 May ’12 17 Jun ’10
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knee socks | Clothes on Film
Wes Anderson’s most sartorially significant film yet. Lord Christopher Laverty 3 Comments 31 Aug ’10 9 Dec ’14 20 Sep ’13
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Mark Millar | Clothes on Film
Hit-Girl owns this film like she would own your ass if you ever stepped to her. Lord Christopher Laverty 7 Comments 2 Nov ’09 20 Apr ’10 17 Jun ’10 Here are some new character posters for Kick-Ass. Peppy costume design by Sammy Sheldon. Lord Christopher Laverty 1 Comment 30 May ’10 28 Jun ’10 3 Apr ’10
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Alec Baldwin | Clothes on Film
Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from the beginning of the movie to the end which tells its own tale of what is happening to its owner. When we first see Jasmine (Cate Blanchett) she is flying first-class from New York to San Francisco to see her sister Ginger (Sally Hawkins). On the flight she dazzles a fellow passenger with the story of how she met her wealthy businessman husband Hal (Alec Baldwin). Or so she thinks.…