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    Funny Face | Clothes on Film

    MINOR SPOILERS Movies that feature contemporary fashion, particularly high-end and particularly for women, are a tricky sell costume wise. While men’s semi-formal to formal attire is generally shaped around the fundamental guise of the lounge suit, women’s clothing has a lot more avenues and possibilities. In addition to colour and pattern there is shape and form, which can vary dramatically for the fashionable wearer. What can vary dramatically can also date dramatically and this can be major stumbling block for costume designers. Films centred around the world of fashion, or those that include a lot of fashionable garments such as The Devil Wears Prada (2006), Clueless (1995) and Funny Face……

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    Woody Allen | Clothes on Film

    Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from the beginning of the movie to the end which tells its own tale of what is happening to its owner. When we first see Jasmine (Cate Blanchett) she is flying first-class from New York to San Francisco to see her sister Ginger (Sally Hawkins). On the flight she dazzles a fellow passenger with the story of how she met her wealthy businessman husband Hal (Alec Baldwin). Or so she thinks.…

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    Okja | Clothes on Film

    MINOR SPOILERS Okja (2017) is the second film that costume designer Catherine George has worked on with director Bong Joon-ho. Their first together, Snowpiercer (2013), despite being lauded by critics (and featuring Chris Evans), only received a limited theatrcial run in the U.S. and no release at all in the UK. Unlike Okja, Snowpiercer is an out and out sci-fi fantasy set when most of the world’s population have been wiped out and those who remain live on perpetually moving train. Okja is still a fantasy, it revolves around a little girl Mija (An Seo Hyun) trying to save her giant ‘super pig’ from being harvested as GM bacon, but…

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    Birkin | Clothes on Film

    Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from the beginning of the movie to the end which tells its own tale of what is happening to its owner. When we first see Jasmine (Cate Blanchett) she is flying first-class from New York to San Francisco to see her sister Ginger (Sally Hawkins). On the flight she dazzles a fellow passenger with the story of how she met her wealthy businessman husband Hal (Alec Baldwin). Or so she thinks.……

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    Ellen Crawshaw | Clothes on Film

    An American Werewolf in London A screening at the Billy Wilder theater in Los Angeles on the 26th, with Deborah Nadoolman Landis in attendance to sign copies of her book ‘Hollywood Costume’ (we’re in that!). Shawna Trpcic It’s question time with Shawna Trpcic. What a fun idea! Halloween FrockTalk’s guide to looking suitably fab and/or disgusting. Thor: The Dark World Costume designer Wendy Partridge (another new set of hands for Thor) chats briefly about her work on the upcoming film. Rush Inspired by her friend Ellen Crawshaw working as a costume assistant on Rush, fashion historian and all round sartorial resource Amber Butchart analyses cars and Formula 1 style in…

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    Chanel jacket | Clothes on Film

    Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from the beginning of the movie to the end which tells its own tale of what is happening to its owner. When we first see Jasmine (Cate Blanchett) she is flying first-class from New York to San Francisco to see her sister Ginger (Sally Hawkins). On the flight she dazzles a fellow passenger with the story of how she met her wealthy businessman husband Hal (Alec Baldwin). Or so she thinks.…

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    Rear Window: Grace Kelly's Celadon Green Suit | Clothes on Film – Part 1365

    While still alluring, as practically anything is on Grace Kelly, this is perhaps her least successful outfit overall from Rear Window (1954, as Lisa Fremont). The jacket seems slightly too long and loose for the slenderness of the skirt; it doesn’t fit Kelly’s figure as comfortably as it might. However even with its faults the suit still reflects a vital side of Lisa’s complex personality: her professional, tailored femininity. Celadon green midi-length jacket with stand up collar, likely shantung-silk and trimmed in tulle, no buttons, white satin contrast lining, ¾ Length sleeves and sloping round shoulders. Influences for shape and style can be attributed to Cristóbal Balenciaga (soft round shoulders)…

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    Toy Story Ken Models for Esquire | Clothes on Film – Part 13778

    Esquire magazine for gentleman with taste and bottomless pockets, have featured a fashion shoot with Toy Story 3’s Ken. That’s right; a doll dresses better than you. Clearly this is not really Ken from Toy Story 3, it is Mattel’s actual Ken, immortalised in the film wearing, it has to be said, even cooler clothes than here (wouldn’t you want to be friends with a guy in animal print shorts?). The brief from Esquire was for four leading fashion designers to dress Ken in key looks for autumn. The finished result is this miniaturised set from their genuine upcoming line. Buy the mag for the full spread, after you’ve checked…